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Subject: What We Learned this Week (2334)
From: Artelligence <artelligence@substack.com>
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View this post on the web at https://artelligence.substack.com/p/what-we-le=
arned-this-week-2334
Welcome to Artelligence
This free Artelligence newsletter is published most Friday throughout the y=
ear. Additional newsletters analyzing auction data from LiveArt or featurin=
g our own reporting are for paid subscribers only.
Subscriptions are $12 a month or $120 for a year. For organizations, we off=
er group discounts for 30% for each subscription of two or more. Sharing a =
newsletter on occasion is fine; consistently circumventing group subscripti=
ons is not.=C2=A0
There is also an option to get a 7-day free trial. Just choose the subscrip=
tion plan you want and click on the 7-day trial option before checkout.=C2=
=A0
Refer Friends or Colleagues for Free Subscription Time
You can now extend for free your subscription to Artelligence=E2=80=99s pai=
d posts by referring new subscribers to the paid content. Get a free month =
for two friends who subscribe; three months for five paid subscriptions; an=
d a full year free for 25 paid subscribers.=20
In This Issue
Lot Watch: Christie=E2=80=99s Titze sale features Gerhard Richter and dozen=
s more; Sotheby=E2=80=99s to sell cache of Kerry James Marshall, Jenny Savi=
lle and Modigliani works for Hong Kong in October. =20
Results: CJ Hendry inaugurates Phillips Drop Shop with $600,000 multiples s=
ale
Notes: Programming note, no newsletter next week; Pierre Cornette de Saint =
Cyr dies at 84; Claude Picasso dies at 76; What=E2=80=99s Blue Chip now? (R=
esults)
Indigenous Among Us: Grounded In Clay at the Met and Vilcek Foundation offe=
rs a model for integrating Western appreciation and Indigenous epistemology=
in one exhibition.=20
Lot Watch
The =E2=82=AC20m Titze Sale at Christie=E2=80=99s Paris
Anne & Wolfgang Titze focused on collecting works of Minimalism, Contempora=
ry Abstraction and post-war German painting. Their collection received its =
first public recognition nearly a decade ago with a large show at Vienna=E2=
=80=99s Belvedere Museum. The couple are now selling 39 works at Christie=
=E2=80=99s in Paris on October 19th with an estimate of =E2=82=AC20 million=
=2E The money raised will be used to cr=
eate an endowment for a foundation to=20=
keep the rest of the collection together. =20
The top lot in the sale is Gerhard Richter=E2=80=99s Waldst=C3=BCck from 19=
69. The work is estimated at =E2=82=AC4 million. One of four works in a ser=
ies that helped Richter make the transition from realist works to abstracti=
on, another of the series is in the Louisiana Museum of Modern Art in Copen=
hagen. Adrian Ghenie=E2=80=99s Flight into Egypt will be sold with a =E2=82=
=AC2.5 million estimate. Another work by Ghenie, Charles Darwin as a Young =
Man will also be auctioned.=20
Other works in the sale include two paintings by Agnes Martin, The Lamp fro=
m 1959 and On a Clear Day from 1973; Georg Baselitz=E2=80=99s Wegtreten der=
Mantel from 2014; Julie Mehretu=E2=80=99s Blue Magic from 2007; Yayoi Kusa=
ma=E2=80=99s Infinity Nets (AOTWX) from 2008 and DOTS-OBSESSION [QZBA] from=
2008. Estimates have not been released for these lots. Of the remaining 30=
works, many were made by female artists like Lisa Yuskavage, Sarah Lucas, =
Rebecca Warren, Joyce Pensato and Paola Pivi.=20
Liu Yiquan to Sell Modigliani, Kerry James Marshall & Jenny Saville
Artnet reported this week [ https://link.sbstck.com/redirect/a190f8fc-897e=
-45a7-8e02-0f1cc055d9c0?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnig=
HXx6Fx_g6pp7gWdY ]that Liu Yiquan and Wang Wei are selling works worth more=
than $150 million through Sotheby=E2=80=99s this Fall. In response to Artn=
et=E2=80=99s queries, Sotheby=E2=80=99s told the website that the, =E2=80=
=9Cproceeds from the forthcoming sales [are] destined to further key initia=
tives at the Long Museum, while also funding future acquisitions and the co=
ntinued fostering of cultural dialogues between different artists, geograph=
ies and generations.=E2=80=9D
According to Artnet, Liu and Wang asked all three auction houses to bid on =
a group of works by artists Zao Wou-ki, Ren=C3=A9 Magritte, David Hockney, =
Matthew Wong, and Yayoi Kusama. Three works singled out to Artnet by inform=
ants who did not get the consignment were Amadeo Modigliani=E2=80=99s portr=
ait of Paulette Jourdain from 1919 that sold for $42.8 million in the Alfre=
d Taubman sale; Jenny Saville=E2=80=99s Shift from 1996-98 sold for nearly =
$9 million in 2016; and a work by Kerry James Marshall, Plunge painted in 1=
992 that was sold for $2.1 million while Marshall=E2=80=99s retrospective M=
astry was making its way from Chicago to New York=E2=80=99s Metropolitan mu=
seum in 2016.=20
Results
Phillips Drop Shop: CJ Hendry =3D $588,650
Not all of the action in the art market takes place in the sales of paintin=
gs and sculptures. This week, Phillips debuted its new concept of direct-to=
-consumer artist=E2=80=99s sales with CJ Hendry=E2=80=99s combination scave=
nger hunt and online sale. Master of the stunt art event, Hendry took over =
Phillips Park Avenue headquarters for the weekend and filled it with inflat=
able crowns. Among the 50,000 red crowns marked SPARE in Phillips=E2=80=99s=
space, Hendry had sprinkled 100 marked AIR. Any visitor lucky enough to fi=
nd one of the AIR crowns could redeem it for a cast bronze crown in a custo=
m carrying case. In the end, searchers only found 21 of the crowns leaving =
another 79 to be sold in Phillips=E2=80=99s Drop Shop along with one of Hen=
dry=E2=80=99s pencil drawings depicting a red inflatable crown. The total s=
ale was $588,650. But Phillips=E2=80=99s editions department now has the op=
portunity to make a market in all 100 crowns plus whatever number of crowns=
Hendry made as artist=E2=80=99s proofs. A bronze inflatable and the connec=
tion between multiples and a more substantial work of art brings to mind Je=
ff Koons and his balloon dogs and the Bernardaud replicas he has sold so ma=
ny of as well. Phillips=E2=80=99s strength in the growing multiples market =
also makes this collaboration a potential harbinger of other art projects t=
hat mix the immediacy of collectibles with the aspirations of art works. No=
t every artist has Hendry=E2=80=99s strong following, social media skills, =
or ability to conceive of and execute the marketing events that she does. S=
o following this success won=E2=80=99t be easy.=20
Notes
Programming note: There will be no What We Learned this Week for the 35th w=
eek of 2023 (Aug 26 to Sept 1st.) Artelligence will be on hiatus.
Pierre Cornette de Saint Cyr dies at 84: He sold the auction house he found=
ed in 1973 to Bonhams last year. Cornette de Saint Cyr had a high profile i=
n France due to his celebrity auctions and chairmanship of the Palais de To=
kyo for nearly a decade.
Claude Picasso dies at 76: Claude Picasso=E2=80=99s lawyer informed the pre=
ss that Picasso=E2=80=99s son with Fran=C3=A7oise Gilot died this week at t=
he age of 76. Claude ran the Picasso estate until he turned the authority o=
ver to his sister Paloma last month. Milton Esterow wrote about the conflic=
t among Picasso=E2=80=99s heirs in Vanity Fair in 2016 [ https://link.sbstc=
k.com/redirect/4ab8370c-b739-4794-a5d9-72cd2d9f34cd?j=3DeyJ1IjoiMjdjZXI5In0=
=2EnCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY ].
What=E2=80=99s Blue Chip Now? (Results): It wasn=E2=80=99t a surprise to se=
e that 33% of respondents thought only great work by a major artist should =
be considered desirable Blue Chip property right now. But seeing 19% say th=
at quality work by new talent was also Blue Chip was =E2=80=A6 interesting.=
That=E2=80=99s the same percentage who thought any work by a major artist =
qualifies as Blue Chip which is also somewhat new as a point of view. A clo=
se 17% think high quality work by major or minor with good provenance makes=
the grade. High quality work by minor artists just couldn=E2=80=99t compet=
e garnering only 12% of the votes.
The Indigenous Among Us
Indigenous land acknowledgements have become a clich=C3=A9d feature of inst=
itutional life, they are regularly invoked at public occasions and ceremoni=
es as if adding to an institution's provenance. What irks many about the se=
emingly =E2=80=9Cwoke=E2=80=9D performance is that these acknowledgements o=
ften treat the indigenous as though they are perforce a matter of history, =
fully past and eradicated.=C2=A0
Two exhibitions that were briefly open in New York simultaneously this Sum=
mer=E2=80=94Jaune Quick-to-See Smith=E2=80=99s retrospective at the Whitney=
and the Pueblo pottery show =E2=80=9CGrounded in Clay=E2=80=9D split betwe=
en the Vilcek Foundation on the Upper East Side and the Metropolitan Museum=
of Art=E2=80=94demonstrate that indigenous communities persist in America =
even after thousands of years lived upon harsh lands and hundreds of years =
of enduring persecution from Spanish and American colonizers.=C2=A0
The show also reminds us that indigenous culture is alive, thriving and has=
a great deal to teach us about the intimate symbiosis between art and cult=
ure, the individual and a community and its history.=C2=A0
Jaune Quick-to-See Smith=E2=80=99s show has closed but her art which emerge=
d from a Native epistemology in dialogue with the Contemporary artists of h=
er own generation makes a simple call for =E2=80=9Cevery part of our societ=
y to have representation by all of its citizens.=E2=80=9D Smith was the fir=
st Native artist to have a work enter the collection of the National Galler=
y in Washington but she doesn=E2=80=99t see that as a victory. =E2=80=9CThe=
grand moment would come when they create a collection of Contemporary Nati=
ve American art, not just antiquities,=E2=80=9D the artist told Serena Alts=
chul in a [ https://link.sbstck.com/redirect/3c2e21d0-df14-4dbe-89cb-cfd6c=
c77e142?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY=
]CBS Sunday Morning [ https://link.sbstck.com/redirect/3c2e21d0-df14-4dbe-=
89cb-cfd6cc77e142?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx=
_g6pp7gWdY ] interview [ https://link.sbstck.com/redirect/3c2e21d0-df14-4db=
e-89cb-cfd6cc77e142?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6=
Fx_g6pp7gWdY ]. =E2=80=9DIf you just let me come through the door, I=E2=80=
=99ll bring my community with me.=E2=80=9D
Yet Indigenous communities experience their art in ways that are profoundly=
different from the way we experience art. The =E2=80=9Cwe=E2=80=9D here ca=
n either be Westerners and our conception of art; or art world inhabitants =
and our commodification of art as a luxury item; or our culture=E2=80=99s f=
etishism of art as a signifier of status or a talisman within a secular rel=
igion of creativity. (Yes, there=E2=80=99s a lot going on in that sentence.=
)
What you will see when you go to the Metropolitan museum of art to see Grou=
nded in Clay=E2=80=94or, better yet, avail yourself of the intimate experie=
nce of a guided tour of Pueblo pots at the Vilcek Foundation [ https://link=
=2Esbstck.com/redirect/d1432960-9dba-4=
023-8940-ae0003c44e86?j=3DeyJ1IjoiMjdjZ=
XI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY ]=E2=80=94are works crea=
ted by Pueblo communities presented by members of those communities. These =
clay pots were made for a variety of day-to-day purposes. Some were made in=
the past few years; some were created over several decades stretching back=
into the early 19th Century; and a few objects in the displays are as much=
as a thousand years old.=C2=A0
The touring exhibition which debuted last year in Santa Fe celebrates the c=
entenary of the Pueblo Pottery Fund, a project begun by well-meaning wealth=
y settlers in Santa Fe who developed an interest in Indigenous art.=C2=A0
The Pueblo Pottery Fund eventually became the Indian Arts Research Center a=
t Santa Fe=E2=80=99s School for Advanced Research which holds some 12,000 I=
ndigenous works of ar [ https://link.sbstck.com/redirect/dc9158a0-257d-4507=
-a815-8c977c994d42?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6F=
x_g6pp7gWdY ]t, many ceramic pots but also textiles and works in other medi=
ums, gathered over the last 100 years in two =E2=80=9Cvaults.=E2=80=9D No m=
atter how well intentioned the founders were, the premise of the pottery fu=
nd was, according to IARC=E2=80=99s current director Elysia Poon, =E2=80=9C=
unquestionably presumptuous and paternalistic.=E2=80=9D=C2=A0
What makes these works of art so very different from works that derive from=
a European tradition is that they have a very different kind of status to =
Indigenous people. Pueblo community members view these utilitarian objects =
like people because they interact with the objects on a daily basis and bec=
ause they are a repository of historical experience. For the Indigenous, en=
countering these objects is a real-life version of that parlor game where y=
ou imagine yourself able to time travel. It begins with the question, =E2=
=80=9Cif you could have dinner with any figure from history?=E2=80=9D =C2=
=A0
For Indigenous people, being in the presence of these pots is like encounte=
ring their ancestors. According to Joseph Aquilar, an anthropologist, membe=
r of a Pueblo community and a contributor to the catalog of the exhibition,=
=E2=80=9CHistorical memories and our understandings of pottery and other c=
ultural patrimonies are tantamount to a form of Indigenous intellect.=E2=80=
=9D By that he means the clay pots reflect =E2=80=9Ca physical, spiritual, =
and intellectual worldview that is inextricably linked to land, people, and=
history.=E2=80=9D
But Indigenous art isn=E2=80=99t art because it was made by a talented arti=
st. It=E2=80=99s art because of the role plays in Pueblo life. =E2=80=9C[E]=
ven in its finished form, pottery does not inherently possess life by simpl=
y being,=E2=80=9D Aguilar adds. =E2=80=9CIn Pueblo ontologies, people give =
meaning and voice to pottery, and it becomes a part of our world through co=
nsecrated use in Pueblo society.=E2=80=9D=C2=A0
To address this very different worldview, the organizers of the exhibition =
dispensed with a traditional curator and created the Pueblo Pottery Collect=
ive which comprises more than 60 potters, designers, and other artists incl=
uding writers and poets drawn from 22 Pueblo communities in the Southwest. =
All are Native Americans (though a few non-Native museum professionals eith=
er participated in or assisted the collective.) They were each asked to cho=
ose a pot from the IARC vaults or the Vilcek collection and explain the imp=
ortance the object held to them. Nothing underscores the intimate and perso=
nal relationships between the members of this community and their art more =
than this curatorial strategy.=C2=A0
It also highlights an important strategy coming from the IARC. Aguilar make=
s no secret of his community=E2=80=99s frustration with the partial and fra=
gmented understanding of Indigenous culture held by institutions and collec=
tors. And he insists on the need for Indigenous voices to exert control ove=
r their patrimony.=C2=A0
=E2=80=9CThe inherent rights at stake for Pueblo people [=E2=80=A6] are the=
right to control and contribute to the production of knowledge about our c=
ulture and cultural patrimony; to protect, preserve, and represent our cult=
ural patrimony and heritage on our own terms and to present our own underst=
andings and accounts of our cultural patrimony,=E2=80=9D Aguilar writes. =
=E2=80=9CAt the core of this mission is the affirmation that Western instit=
utions do not hold a monopoly on the understanding and dissemination of Pue=
blo culture and cultural patrimony.=E2=80=9D
To see the works at the Met and read the explanations from the Pueblo Potte=
ry Collective members=E2=80=94or, better yet, tour the Vilcek collection wi=
th an Indigenous guide who will explain the intimate relationship between t=
he artists, their materials and the objects they create and their communiti=
es [ https://link.sbstck.com/redirect/d1432960-9dba-4023-8940-ae0003c44e86?=
j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY ]=E2=80=
=94is to glimpse a very different understanding of art.=C2=A0
One example is an Acoma jar made in the early 1900s selected by Erin Moniqu=
e Grant of the Colorado River Indian Tribes. =E2=80=9CThis pot is a blessin=
g and a gift,=E2=80=9D she writes. =E2=80=9CIts every aspect connects it wi=
th its home and its people: the clay is from the land and was gathered by a=
relative for the purpose of its creation; the form is an evolution of jar =
shapes made by its ancestors; the designs are those of its village and neig=
hbors; the colors are derived from natural pigments of the land.=E2=80=9D
Grant=E2=80=99s affection for the object is tempered by her frustration wit=
h the way it has been viewed by its previous, surely well-meaning, owners. =
As Grant drily describes the misapprehension around the pot she chose, we c=
an see the humor but also recognize why this important exhibition is a mode=
l for understanding an art form that is both historically complex and vibra=
ntly alive today.=C2=A0
=E2=80=9CThe jar had previously passed through hands that believed its deco=
ration was of a fish,=E2=80=9D she writes, =E2=80=9Can =E2=80=98abstract fi=
sh=E2=80=99 at that. Yet through talks with Acoma relatives and simple rese=
arch, I found out that it is a thunderbird=E2=80=94a design its ancestors h=
ave been depicting and developing for centuries. Not a fish.=E2=80=9D
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.typography .markup div.captioned-button-wrap .subscription-widget.show-s=
ubscribe,
.typography.editor .markup div.captioned-button-wrap .subscription-widget=
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padding: 24px;
}
}
@media screen and (max-width: 650px) {
.typography .markup div.subscription-widget-wrap .subscription-widget.sho=
w-subscribe .subscription-widget-subscribe .button,
.typography.editor .markup div.subscription-widget-wrap .subscription-wid=
get.show-subscribe .subscription-widget-subscribe .button,
.typography .markup div.captioned-button-wrap .subscription-widget.show-s=
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.typography.editor .markup div.captioned-button-wrap .subscription-widget=
=2Eshow-subscribe .subscription-widget-subscribe .button {
padding: 10px 12px;
min-width: 110px;
}
}
@media (max-width: 650px) {
.typography .markup .tweet,
.typography.editor .markup .tweet {
padding: 12px;
}
}
@media (max-width: 650px) {
.typography .markup .tweet .tweet-text,
.typography.editor .markup .tweet .tweet-text {
font-size: 14px;
line-height: 20px;
}
}
@media (max-width: 650px) {
.typography .markup .tweet .tweet-photos-container.two,
.typography.editor .markup .tweet .tweet-photos-container.two,
.typography .markup .tweet .tweet-photos-container.three,
.typography.editor .markup .tweet .tweet-photos-container.three,
.typography .markup .tweet .tweet-photos-container.four,
.typography.editor .markup .tweet .tweet-photos-container.four {
height: 200px;
}
}
@media (max-width: 650px) {
.typography .markup .tweet a.expanded-link .expanded-link-img,
.typography.editor .markup .tweet a.expanded-link .expanded-link-img {
max-height: 180px;
}
}
@media (max-width: 650px) {
.typography .markup .tweet a.expanded-link .expanded-link-description,
.typography.editor .markup .tweet a.expanded-link .expanded-link-descript=
ion {
display: none;
}
}
@media screen and (max-width: 650px) {
.typography .markup .apple-podcast-container,
.typography.editor .markup .apple-podcast-container {
width: unset;
}
}
@media (max-width: 420px) {
.typography .markup .install-substack-app-embed img.install-substack-app-=
embed-img,
.typography.editor .markup .install-substack-app-embed img.install-substa=
ck-app-embed-img {
margin: 0 auto 16px auto;
}
}
@media screen and (min-width: 420px) and (max-width: 600px) {
.typography .markup .install-substack-app-embed .install-substack-app-emb=
ed-text,
.typography.editor .markup .install-substack-app-embed .install-substack-=
app-embed-text {
max-width: calc(100% - 100px);
width: initial;
}
}
@media (max-width: 420px) {
.typography .markup .install-substack-app-embed .install-substack-app-emb=
ed-text,
.typography.editor .markup .install-substack-app-embed .install-substack-=
app-embed-text {
margin: 0 0 12px 0;
max-width: 100%;
width: auto;
text-align: center;
}
}
@media (max-width: 600px) {
.typography .markup .install-substack-app-embed .install-substack-app-emb=
ed-link,
.typography.editor .markup .install-substack-app-embed .install-substack-=
app-embed-link {
margin-top: 16px;
width: 100%;
}
}
@media screen and (min-width: 481px) {
.share-button-container {
height: 38px;
}
}
@media screen and (min-width: 481px) {
.share-button-container a.comment {
height: 38px;
line-height: 38px;
padding-right: 10px;
}
}
@media screen and (max-width: 480px) {
.share-button-container .separator {
display: block;
margin: 0;
height: 8px;
border-left: none;
}
}
@media screen and (max-width: 480px) {
.share-button-container a.share.first img {
padding-left: 0;
}
}
@media screen and (min-width: 481px) {
.share-button-container a.mobile {
display: none !important;
}
}
@media screen and (max-width: 650px) {
.social-media-share-preview__description {
-webkit-line-clamp: 2;
}
}
@media screen and (max-width: 1000px) {
.congrats-box {
flex-direction: column;
}
.congrats-box .congrats-box-right {
margin-left: 38px;
margin-top: 16px;
}
}
@media screen and (max-width: 500px) {
.congrats-box {
display: none;
}
}
@media screen and (min-width: 541px) {
.settings-add-pub-modal-wrapper .container .add-recommending-pub-modal-co=
ntainer {
padding: 36px;
height: 680px;
}
}
@media screen and (min-width: 541px) {
.settings-add-pub-modal-wrapper .container .add-recommending-pub-modal-co=
ntainer .footer {
position: absolute;
bottom: 36px;
margin: 0px;
}
}
@media screen and (max-width: 840px) {
.header-with-anchor-widget .header-anchor-widget,
.header-anchor-container .header-anchor-widget {
display: none;
}
}
@media screen and (min-width: 768px) {
.post {
padding: 32px 0 0 0;
}
}
@media screen and (max-width: 650px) {
.post .post-header .post-label {
margin-top: 8px;
}
}
@media screen and (max-width: 650px) {
.post .post-header .meta-author-wrap.alternative-meta .meta-right-column =
=2Epost-meta {
margin-top: 6px;
}
}
@media screen and (max-width: 650px) {
.post .footer-facepile-container {
height: 64px;
padding: 0 16px;
display: flex;
align-items: center;
justify-content: flex-start;
width: 100%;
}
}
@media screen and (max-width: 650px) {
.post .post-footer.use-separators {
justify-content: center;
}
}
@media screen and (max-width: 650px) {
.post .post-footer.next-prev {
height: 64px;
justify-content: space-between;
box-sizing: border-box;
}
}
@media screen and (max-width: 650px) {
.post-contributor-footer .post-contributor-bio-table {
display: block;
}
.post-contributor-footer .post-contributor-bio-table-row {
display: flex;
flex-direction: row;
}
.post-contributor-footer .post-contributor-bio-userhead-cell,
.post-contributor-footer .post-contributor-bio-body-cell {
display: block;
}
.post-contributor-footer .post-contributor-bio-body-cell {
flex-grow: 1;
}
.post-contributor-footer .post-contributor-bio-body-table {
display: block;
}
.post-contributor-footer .post-contributor-bio-body-table-row {
display: block;
}
.post-contributor-footer .post-contributor-bio-copy-cell,
.post-contributor-footer .post-contributor-bio-controls-cell {
display: block;
}
.post-contributor-footer .post-contributor-bio-copy-cell {
margin: 0 0 16px 0;
}
.post-contributor-footer .post-contributor-bio-controls-cell {
width: auto;
}
.post-contributor-footer .post-contributor-bio-controls {
margin: auto;
}
.post-contributor-footer .post-contributor-bio-controls .button.primary {
width: 100%;
}
.post-contributor-footer .post-contributor-bio-text {
font-size: 14px;
}
}
@media screen and (min-width: 768px) {
.post-silhouette {
padding: 16px 0;
}
}
@media screen and (max-width: 650px) {
.post-silhouette .post-silhouette-title {
margin-top: 10.44225025px;
height: 120px;
}
}
@media screen and (max-width: 650px) {
.post-silhouette .post-silhouette-meta {
width: 75%;
}
}
@media screen and (max-width: 650px) {
.post-silhouette .post-silhouette-meta.with-byline-image {
margin: 20px 0;
}
}
@media screen and (max-width: 650px) {
.use-theme-bg .post-meta.alternative-meta .post-meta-item,
.post-meta.alternative-meta .post-meta-item {
padding-right: 16px;
}
}
@media screen and (max-width: 370px) {
.use-theme-bg .post-meta.alternative-meta .post-meta-item,
.post-meta.alternative-meta .post-meta-item {
font-size: 14px;
}
}
@media screen and (max-width: 650px) {
.use-theme-bg .post-meta.alternative-meta .post-meta-item.guest-author-pu=
blication,
.post-meta.alternative-meta .post-meta-item.guest-author-publication {
display: none;
}
}
@media screen and (max-width: 370px) {
.post-meta .post-meta-item .post-meta-button {
height: 36px !important;
}
.post-meta .post-meta-item .post-meta-button .meta-button-label {
display: none;
}
.post-meta .post-meta-item .post-meta-button > svg {
margin-right: 0;
}
}
@media screen and (max-width: 370px) {
.post-meta .post-meta-item {
font-size: 12px;
}
}
@media screen and (max-width: 650px) {
.post-preview .post-preview-content .post-preview-meta {
margin-top: 12px 0;
}
}
@media screen and (max-width: 650px) {
.post-preview .post-preview-image {
display: none;
}
}
@media screen and (max-width: 650px) {
.post-preview-silhouette .post-preview-silhouette-image {
display: none;
}
}
@media screen and (max-width: 650px) {
.post .floating-subscribe-button {
bottom: 20px;
right: 20px;
}
}
@media all and (-ms-high-contrast: none), (-ms-high-contrast: active) {
body .markup table.image-wrapper img,
body .markup table.kindle-wrapper img {
max-width: 550px;
}
}
@media screen and (max-width: 650px) {
body .markup div.youtube-inner div.youtube-screen,
body .markup div.vimeo-inner div.youtube-screen {
display: none !important;
}
}
@media screen and (max-width: 370px) {
body .markup div.tiktok-wrap {
width: calc(95vw - 32px);
height: calc((95vw - 32px - 2px) / 0.485714);
}
}
@media screen and (max-width: 650px) {
body .markup div.embedded-publication-wrap .embedded-publication.show-sub=
scribe {
padding: 24px;
}
}
@media screen and (max-width: 650px) {
body .markup div.subscription-widget-wrap .subscription-widget.show-subsc=
ribe,
body .markup div.captioned-button-wrap .subscription-widget.show-subscrib=
e {
padding: 24px;
}
}
@media screen and (max-width: 650px) {
body .markup div.subscription-widget-wrap .subscription-widget.show-subsc=
ribe .subscription-widget-subscribe .button,
body .markup div.captioned-button-wrap .subscription-widget.show-subscrib=
e .subscription-widget-subscribe .button {
padding: 10px 12px;
min-width: 110px;
}
}
@media (max-width: 650px) {
body .markup .tweet {
padding: 12px;
}
}
@media (max-width: 650px) {
body .markup .tweet .tweet-text {
font-size: 14px;
line-height: 20px;
}
}
@media (max-width: 650px) {
body .markup .tweet .tweet-photos-container.two,
body .markup .tweet .tweet-photos-container.three,
body .markup .tweet .tweet-photos-container.four {
height: 200px;
}
}
@media (max-width: 650px) {
body .markup .tweet a.expanded-link .expanded-link-img {
max-height: 180px;
}
}
@media (max-width: 650px) {
body .markup .tweet a.expanded-link .expanded-link-description {
display: none;
}
}
@media screen and (max-width: 650px) {
body .markup .apple-podcast-container {
width: unset;
}
}
@media (max-width: 420px) {
body .markup .install-substack-app-embed img.install-substack-app-embed-i=
mg {
margin: 0 auto 16px auto;
}
}
@media screen and (min-width: 420px) and (max-width: 600px) {
body .markup .install-substack-app-embed .install-substack-app-embed-text=
{
max-width: calc(100% - 100px);
width: initial;
}
}
@media (max-width: 420px) {
body .markup .install-substack-app-embed .install-substack-app-embed-text=
{
margin: 0 0 12px 0;
max-width: 100%;
width: auto;
text-align: center;
}
}
@media (max-width: 600px) {
body .markup .install-substack-app-embed .install-substack-app-embed-link=
{
margin-top: 16px;
width: 100%;
}
}
@media screen and (min-width: 500px) {
body .header a.logo {
width: 42px;
height: 42px;
border-radius: 12px;
}
}
@media screen and (max-width: 420px) {
body .subscription-receipt table:first-of-type .subscription-amount .subs=
cription-discount {
width: 72px !important;
}
}
@media screen and (min-width: 481px) {
body .share-button-container {
height: auto;
}
}
@media screen and (max-width: 480px) {
body .share-button-container .separator {
display: block !important;
margin: 0 !important;
height: 8px !important;
border-left: none !important;
}
}
@media screen and (max-width: 650px) {
.digest .item .post-meta-item.audience {
display: none;
}
}
@media screen and (min-width: 500px) {
.digest-publication .logo img {
width: 42px;
height: 42px;
border-radius: 6px;
}
}
@media screen and (max-width: 650px) {
.comments-page .container .comment-list .collapsed-reply {
margin-left: 17px;
}
}
@media screen and (max-width: 650px) {
.comment > .comment-list {
padding-left: 25px;
}
}
@media screen and (max-width: 650px) {
.finish-magic-login-modal .modal-content .container {
padding: 24px 0;
}
}
@media (max-width: 650px) {
.reader2-text-b3 {
line-height: 24px;
}
}
@media screen and (max-width: 650px) {
.reader2-text-h4 {
line-height: 24px;
}
}
@media screen and (min-width: 541px) {
.user-profile-modal {
padding-left: 12px;
padding-right: 12px;
}
}
@media screen and (max-width: 650px) {
.subscribe-widget form.form .sideBySideWrap button.rightButton {
padding: 10px 12px;
}
}
@media screen and (min-width: 541px) {
.pub-icon:hover .logo-hover,
.feed-item-icon:hover .logo-hover {
display: block;
}
}
@media screen and (max-width: 650px) {
.post-ufi.single-full-width-button .post-ufi-button-wrapper {
width: 100%;
padding: 16px;
}
.post-ufi.single-full-width-button .post-ufi-button-wrapper:empty {
display: none;
}
.post-ufi.single-full-width-button .post-ufi-button {
width: 100%;
justify-content: center;
}
}
@media screen and (max-width: 768px) {
.file-embed-wrapper {
padding: 0;
}
}
@media screen and (max-width: 768px) {
.file-embed-wrapper-editor {
padding: 0;
}
}
@media screen and (max-width: 768px) {
.file-embed-wrapper-editor:active {
padding: 0;
}
}
@media only screen and (max-width: 650px) {
.file-embed-button.wide,
.file-embed-error-button.wide {
display: none;
}
}
@media only screen and (min-width: 630px) {
.file-embed-button.narrow,
.file-embed-error-button.narrow {
display: none;
}
}
@media screen and (min-width: 541px) {
.audio-player-wrapper .audio-player {
min-width: 500px;
}
}
@media screen and (max-width: 650px) {
.audio-player-wrapper .audio-player .audio-player-progress {
border-left-width: 16px;
border-right-width: 16px;
}
}
@media screen and (max-width: 650px) {
.audio-player-wrapper .audio-player .audio-player-progress .audio-player-=
progress-bar .audio-player-progress-bar-popup {
top: -54px;
}
}
@media screen and (max-width: 650px) {
.audio-player-wrapper-fancy .audio-player .audio-player-progress {
border-left-width: 16px;
border-right-width: 16px;
}
}
@media screen and (max-width: 650px) {
.audio-player-wrapper-fancy .audio-player .audio-player-progress .audio-p=
layer-progress-bar .audio-player-progress-bar-popup {
top: -54px;
}
}
@media (min-width: 250px) {
.audio-player-wrapper-fancy .audio-player {
padding: 32px;
}
.audio-player-wrapper-fancy .audio-player .btn-group {
display: flex;
}
.audio-player-wrapper-fancy .audio-player .btn-group .button:last-of-type=
{
display: block;
}
}
@media (min-width: 300px) {
.audio-player-wrapper-fancy .audio-player .btn-group {
display: block;
}
.audio-player-wrapper-fancy .audio-player .btn-group .button:first-of-typ=
e {
display: block;
}
}
@media (min-width: 350px) {
.audio-player-wrapper-fancy .audio-player .audio-player-substack-logo {
display: block;
}
.audio-player-wrapper-fancy .audio-player .audio-player-title {
margin-top: 16px;
}
.audio-player-wrapper-fancy .audio-player .audio-player-hero-image-contai=
ner {
padding-top: 15%;
width: 15%;
display: block;
}
.audio-player-wrapper-fancy .audio-player .btn-group .button:first-of-typ=
e {
display: block;
}
.audio-player-wrapper-fancy .audio-player .audio-player-substack-logo {
display: block;
}
}
@media (min-width: 350px) {
.audio-player-wrapper-fancy .audio-player .audio-player-hero-image-contai=
ner {
padding-top: 25%;
width: 25%;
display: block;
}
.audio-player-wrapper-fancy .audio-player .btn-group {
display: flex;
}
.audio-player-wrapper-fancy .audio-player .btn-group .button:first-of-typ=
e {
display: block;
}
}
@media (min-width: 400px) {
.audio-player-wrapper-fancy .audio-player .audio-player-hero-image-contai=
ner {
padding-top: 40%;
width: 40%;
}
}
@media (max-width: 400px) {
.audio-player-wrapper-fancy .audio-player .btn-group {
margin-top: 12px;
}
.audio-player-wrapper-fancy .audio-player .btn-group .button {
font-size: 13px;
padding: 6px 12px;
height: auto;
margin-top: 10px;
}
}
@media (min-width: 600px) {
.audio-player-wrapper-fancy .audio-player .audio-player-hero-image-contai=
ner {
padding-top: 55%;
width: 55%;
}
}
@media (max-width: 650px) {
.poll-editor-modal {
min-width: calc(100% - 20px);
}
}
@media (max-width: 750px) {
.poll-embed .poll-anchor-target .poll-anchor-copy-button {
left: 8px;
top: 45px;
}
}
@media screen and (min-width: 541px) {
.poll-embed .poll-wrapper.poll-web .poll-dialog .modal-table .modal-row .=
modal-content > .container {
width: 552px;
padding: 26px 24px;
}
}
@media screen and (max-width: 650px) {
.poll-embed .poll-wrapper.poll-web .poll-dialog .modal-table .modal-row .=
modal-content > .container {
padding: 40px 0;
}
}
@media screen and (max-width: 650px) {
.poll-embed .poll-wrapper.poll-web .poll-dialog .modal-row .modal-cell .m=
odal-exit-btn {
margin-right: -20px;
}
}
</style></head><body class=3D"email-body" style=3D"font-kerning: auto;"><im=
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ght:1px !important;width:1px !important;border-width:0 !important;margin-to=
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border=3D"0" cellspacing=3D"0" cellpadding=3D"0" class=3D"email-body-contai=
ner"><tr><td></td><td width=3D"550" class=3D"content"></td><td></td></tr><t=
r><td></td><td align=3D"left" width=3D"550" class=3D"content"><div style=3D=
"font-size: 16px; line-height: 26px; margin: 0 auto; max-width: 550px; over=
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ht" style=3D"height: 20px;"><table role=3D"presentation" width=3D"auto" bor=
der=3D"0" cellspacing=3D"0" cellpadding=3D"0"><tr><td style=3D"vertical-ali=
gn: middle;"><span class=3D"pencraft frontend-pencraft-Box-module__reset--V=
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oration: unset;"><a href=3D"https://substack.com/redirect/2/eyJlIjoiaHR0cHM=
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0fYHROleUXUAufBSDUzq3Q1ocp5g?" class=3D"tw-text-substack-secondary tw-under=
line" style=3D"-webkit-text-decoration-line: underline !important; color: r=
gb(128, 128, 128) !important; text-decoration-line: underline !important;">=
View in browser</a></span></td></tr></table></td></tr></table><table role=
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order-spacing: 0; padding: 16px 0 32px;"><tr><td align=3D"center" style=3D"=
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=2EwyxMhqvBiswz9N90fYHROleUXUAufBSDUzq=
3Q1ocp5g?"><img role=3D"presentation" w=
idth=3D"550" height=3D"117" src=3D"https://substackcdn.com/image/fetch/w_11=
00,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-p=
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6639185e_2800x591.png" class=3D"header-image" style=3D"border: none !import=
ant; display: block; height: auto; margin: 0 auto; max-width: 550px; vertic=
al-align: middle; width: 100%;"></a></td></tr></table><div dir=3D"auto" cla=
ss=3D"post typography" style=3D"font-size: 16px; line-height: 26px; padding=
: 16px 0 0 0;"><div class=3D"post-header" style=3D"font-size: 16px; line-he=
ight: 26px;"><h1 class=3D"post-title published" style=3D"-moz-appearance: o=
ptimizelegibility; -moz-osx-font-smoothing: antialiased; -webkit-appearance=
: optimizelegibility; -webkit-font-smoothing: antialiased; appearance: opti=
mizelegibility; color: rgb(64, 64, 64); font-family: 'SF Compact Display', =
-apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Helvetica, Arial, sa=
ns-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol'; font-si=
ze: 32px; font-weight: bold; line-height: 36px; margin: 0;"><a href=3D"http=
s://substack.com/app-link/post?publication_id=3D2259&post_id=3D136335640&ut=
m_source=3Dpost-email-title&isFreemail=3Dtrue&token=3DeyJ1c2VyX2lkIjoxMzMyN=
jg2NjEsInBvc3RfaWQiOjEzNjMzNTY0MCwiaWF0IjoxNjkyOTU3OTA3LCJleHAiOjE2OTU1NDk5=
MDcsImlzcyI6InB1Yi0yMjU5Iiwic3ViIjoicG9zdC1yZWFjdGlvbiJ9.mW5Ocpe1o3OcCFd_FT=
ixFC3WKgOiAiptDdx-XM_JHVg" style=3D"color: rgb(64, 64, 64); text-decoration=
: none;">What We Learned this Week (2334)</a></h1><h3 class=3D"subtitle" st=
yle=3D"-moz-appearance: optimizelegibility; -moz-osx-font-smoothing: antial=
iased; -webkit-appearance: optimizelegibility; -webkit-font-smoothing: anti=
aliased; appearance: optimizelegibility; color: #808080; font-family: 'SF C=
ompact Display', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Hel=
vetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI=
Symbol'; font-size: 18px; font-weight: normal; line-height: 24px; margin: =
4px 0 0; margin-top: 12px;">Indigenous art takes Manhattan + Modigliani in =
Hong Kong? + Richter in Paris</h3><table role=3D"presentation" width=3D"100=
%" border=3D"0" cellspacing=3D"0" cellpadding=3D"0" class=3D"post-meta" sty=
le=3D"align-items: center; height: 20px; margin: 1em 0;"><tr><td><table rol=
e=3D"presentation" width=3D"auto" border=3D"0" cellspacing=3D"0" cellpaddin=
g=3D"0"><tr><td><table role=3D"presentation" width=3D"auto" border=3D"0" ce=
llspacing=3D"0" cellpadding=3D"0"><tr><td style=3D"vertical-align: middle;"=
><div class=3D"pencraft frontend-pencraft-Box-module__reset--VfQY8 frontend=
-pencraft-Text-module__size-11--k1e8b frontend-pencraft-Text-module__line-h=
eight-20--p0dP8 frontend-pencraft-Text-module__weight-medium--x7khA fronten=
d-pencraft-Text-module__font-meta--U_nxy frontend-pencraft-Text-module__col=
or-primary--ud4Z0 frontend-pencraft-Text-module__transform-uppercase--IDkUL=
frontend-pencraft-Text-module__reset--dW0zZ frontend-pencraft-Text-module_=
_meta--jzHdd custom-css-email-post-author" style=3D"color: rgb(64, 64, 64);=
font-family: 'SF Compact', -apple-system, -apple-system, -system-ui, Blink=
MacSystemFont, 'Segoe UI', Roboto, Helvetica, Arial, sans-serif, 'Apple Col=
or Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol'; font-size: 11px; font-weigh=
t: 500; letter-spacing: .2px; line-height: 20px; margin: 0; text-decoration=
: unset; text-transform: uppercase;"><a style=3D"color: rgb(64, 64, 64); fo=
nt-family: 'SF Compact', -apple-system, -apple-system, -system-ui, BlinkMac=
SystemFont, 'Segoe UI', Roboto, Helvetica, Arial, sans-serif, 'Apple Color =
Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol'; font-size: 11px; font-weight: =
500; letter-spacing: .2px; line-height: 20px; margin: 0; text-decoration: n=
one; text-transform: uppercase;" href=3D"https://substack.com/@artelligence=
" class=3D"pencraft frontend-pencraft-Box-module__reset--VfQY8 frontend-pen=
craft-Text-module__size-11--k1e8b frontend-pencraft-Text-module__line-heigh=
t-20--p0dP8 frontend-pencraft-Text-module__weight-medium--x7khA frontend-pe=
ncraft-Text-module__font-meta--U_nxy frontend-pencraft-Text-module__color-p=
rimary--ud4Z0 frontend-pencraft-Text-module__transform-uppercase--IDkUL fro=
ntend-pencraft-Text-module__reset--dW0zZ frontend-pencraft-Text-module__met=
a--jzHdd">Marion Maneker</a></div></td></tr></table></td></tr><tr><td><tabl=
e role=3D"presentation" width=3D"auto" border=3D"0" cellspacing=3D"0" cellp=
adding=3D"0"><tr><td style=3D"vertical-align: middle;"><div class=3D"pencra=
ft frontend-pencraft-Box-module__reset--VfQY8 frontend-pencraft-Text-module=
__size-11--k1e8b frontend-pencraft-Text-module__line-height-20--p0dP8 front=
end-pencraft-Text-module__weight-medium--x7khA frontend-pencraft-Text-modul=
e__font-meta--U_nxy frontend-pencraft-Text-module__color-secondary--WRADg f=
rontend-pencraft-Text-module__transform-uppercase--IDkUL frontend-pencraft-=
Text-module__reset--dW0zZ frontend-pencraft-Text-module__meta--jzHdd" style=
=3D"color: rgb(128, 128, 128); font-family: 'SF Compact', -apple-system, -a=
pple-system, -system-ui, BlinkMacSystemFont, 'Segoe UI', Roboto, Helvetica,=
Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol=
'; font-size: 11px; font-weight: 500; letter-spacing: .2px; line-height: 20=
px; margin: 0; text-decoration: unset; text-transform: uppercase;"><time da=
teTime=3D"2023-08-25T10:03:22.645Z">Aug 25</time></div></td></tr></table></=
td></tr></table></td></tr></table><table role=3D"presentation" width=3D"100=
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6" style=3D"font-size: 0px; line-height: 0;"> </td></tr><tr><td><table=
role=3D"presentation" width=3D"100%" border=3D"0" cellspacing=3D"0" cellpa=
dding=3D"0"><tr><td><table role=3D"presentation" width=3D"auto" border=3D"0=
" cellspacing=3D"0" cellpadding=3D"0"><tr><td style=3D"vertical-align: midd=
le;"><table role=3D"presentation" width=3D"38" border=3D"0" cellspacing=3D"=
0" cellpadding=3D"0"><tr><td align=3D"center"><a href=3D"https://substack.c=
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nCreateButton" style=3D"color: rgb(64, 64, 64); font-size: 16px; line-heigh=
t: 26px; margin: 0 0 20px 0; text-align: center;"><a class=3D"button primar=
y" href=3D"https://substack.com/redirect/2/eyJlIjoiaHR0cHM6Ly9hcnRlbGxpZ2Vu=
Y2Uuc3Vic3RhY2suY29tL2xlYWRlcmJvYXJkPyZyZWZlcnJlcl90b2tlbj0yN2NlcjkiLCJwIjo=
xMzYzMzU2NDAsInMiOjIyNTksImYiOnRydWUsInUiOjEzMzI2ODY2MSwiaWF0IjoxNjkyOTU3OT=
A3LCJleHAiOjE2OTU1NDk5MDcsImlzcyI6InB1Yi0wIiwic3ViIjoibGluay1yZWRpcmVjdCJ9.=
pekW80yWP8ZG4H4J9zS__uYZuMQvbjHUXCpEFCGIRVo?&utm_source=3Dpost" rel style=
=3D"background-color: #653366; border: none; border-radius: 6px; box-sizing=
: border-box; color: #ffffff !important; cursor: pointer; display: inline-b=
lock; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, H=
elvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe =
UI Symbol'; font-size: 14px; font-weight: 600; height: auto; line-height: 2=
0px; margin: 0; opacity: 1; outline: none; padding: 12px 20px; text-align: =
center; text-decoration: none !important; white-space: nowrap;"><span style=
=3D"color: #ffffff; text-decoration: none;">Refer a friend</span></a></p><d=
iv style=3D"font-size: 16px; line-height: 26px;"><hr style=3D"background: #=
e0e0e0; border: none; height: 1px; margin: 32px 0; padding: 0;"></div><h2 c=
lass=3D"header-with-anchor-widget" style=3D"-moz-appearance: optimizelegibi=
lity; -moz-osx-font-smoothing: antialiased; -webkit-appearance: optimizeleg=
ibility; -webkit-font-smoothing: antialiased; appearance: optimizelegibilit=
y; color: rgb(64, 64, 64); font-family: 'SF Compact Display', -apple-system=
, BlinkMacSystemFont, 'Segoe UI', Roboto, Helvetica, Arial, sans-serif, 'Ap=
ple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol'; font-size: 1.625em; =
font-weight: bold; line-height: 1.16em; margin: 1em 0 0.625em 0; position: =
relative;">In This Issue</h2><ol style=3D"margin-top: 0; padding: 0;"><li s=
tyle=3D"margin: 8px 0 0 32px;"><p style=3D"box-sizing: border-box; color: r=
gb(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0; margin-botto=
m: 0; padding-left: 4px;"><strong>Lot Watch:</strong><span> Christie’=
s Titze sale features Gerhard Richter and dozens more; Sotheby’s to s=
ell cache of Kerry James Marshall, Jenny Saville and Modigliani works for H=
ong Kong in October.</span><strong> </strong><span> </span></p></li><li st=
yle=3D"margin: 8px 0 0 32px;"><p style=3D"box-sizing: border-box; color: rg=
b(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0; margin-bottom=
: 0; padding-left: 4px;"><strong>Results:</strong><span> CJ Hendry inaugura=
tes Phillips Drop Shop with $600,000 multiples sale</span></p></li><li styl=
e=3D"margin: 8px 0 0 32px;"><p style=3D"box-sizing: border-box; color: rgb(=
64, 64, 64); font-size: 16px; line-height: 26px; margin: 0; margin-bottom: =
0; padding-left: 4px;"><strong>Notes:</strong><span> Programming note, no n=
ewsletter next week; Pierre Cornette de Saint Cyr dies at 84; Claude Picass=
o dies at 76; What’s Blue Chip now? (Results)</span></p></li><li styl=
e=3D"margin: 8px 0 0 32px;"><p style=3D"box-sizing: border-box; color: rgb(=
64, 64, 64); font-size: 16px; line-height: 26px; margin: 0; margin-bottom: =
0; padding-left: 4px;"><strong>Indigenous Among Us</strong><span>: </span><=
em>Grounded In Clay</em><span> at the Met and Vilcek Foundation offers a mo=
del for integrating Western appreciation and Indigenous epistemology in one=
exhibition. </span></p></li></ol><div style=3D"font-size: 16px; line-heigh=
t: 26px;"><hr style=3D"background: #e0e0e0; border: none; height: 1px; marg=
in: 32px 0; padding: 0;"></div><h2 class=3D"header-with-anchor-widget" styl=
e=3D"-moz-appearance: optimizelegibility; -moz-osx-font-smoothing: antialia=
sed; -webkit-appearance: optimizelegibility; -webkit-font-smoothing: antial=
iased; appearance: optimizelegibility; color: rgb(64, 64, 64); font-family:=
'SF Compact Display', -apple-system, BlinkMacSystemFont, 'Segoe UI', Robot=
o, Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Se=
goe UI Symbol'; font-size: 1.625em; font-weight: bold; line-height: 1.16em;=
margin: 1em 0 0.625em 0; position: relative;">Lot Watch</h2><h4 class=3D"h=
eader-with-anchor-widget" style=3D"-moz-appearance: optimizelegibility; -mo=
z-osx-font-smoothing: antialiased; -webkit-appearance: optimizelegibility; =
-webkit-font-smoothing: antialiased; appearance: optimizelegibility; color:=
rgb(64, 64, 64); font-family: 'SF Compact Display', -apple-system, BlinkMa=
cSystemFont, 'Segoe UI', Roboto, Helvetica, Arial, sans-serif, 'Apple Color=
Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol'; font-size: 1.125em; font-weig=
ht: bold; line-height: 1.16em; margin: 1em 0 0.625em 0; position: relative;=
">The €20m Titze Sale at Christie’s Paris</h4><div class=3D"cap=
tioned-image-container-static" style=3D"font-size: 16px; line-height: 26px;=
margin: 32px auto;"><figure style=3D"margin: 0 auto; width: 100%;"><table =
class=3D"image-wrapper" width=3D"100%" border=3D"0" cellspacing=3D"0" cellp=
adding=3D"0" data-component-name=3D"Image2ToDOMStatic" style=3D"mso-padding=
-alt: 1em 0 1.6em;"><tbody><tr><td style=3D"text-align: center;"></td><td a=
lign=3D"left" class=3D"content" width=3D"1456" style=3D"text-align: center;=
"><a class=3D"image-link" target=3D"_blank" href=3D"https://link.sbstck.com=
/redirect/5b940207-8521-454e-8cfe-d89020328752?j=3DeyJ1IjoiMjdjZXI5In0.nCNh=
OM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY" rel style=3D"align-items: center; =
border: none; display: block; flex-direction: column; height: auto; margin:=
0; padding: 0; position: relative; text-decoration: none; width: auto;"><i=
mg data-attrs=3D"{"src":"https://substack-post-media.s3.amaz=
onaws.com/public/images/ec49d718-f20c-4527-b2f8-1a01536fc044_2879x4000.jpeg=
","srcNoWatermark":null,"fullscreen":null,"im=
ageSize":null,"height":2023,"width":1456,"res=
izeWidth":null,"bytes":1859419,"alt":null,"ti=
tle":null,"type":"image/jpeg","href":nul=
l,"belowTheFold":true,"topImage":false,"internalRe=
direct":null}" alt width=3D"550" height=3D"764.1826923076923" class=3D=
"wide-image" src=3D"https://substackcdn.com/image/fetch/w_2912,c_limit,f_au=
to,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.am=
azonaws.com%2Fpublic%2Fimages%2Fec49d718-f20c-4527-b2f8-1a01536fc044_2879x4=
000.jpeg" style=3D"-ms-interpolation-mode: bicubic; border: none !important=
; display: block; height: auto; margin: 0 auto; margin-bottom: 0; max-width=
: 100% !important; vertical-align: middle; width: auto !important;"></a></t=
d><td style=3D"text-align: center;"></td></tr></tbody></table></figure></di=
v><p style=3D"color: rgb(64, 64, 64); font-size: 16px; line-height: 26px; m=
argin: 0 0 20px 0;">Anne & Wolfgang Titze focused on collecting works o=
f Minimalism, Contemporary Abstraction and post-war German painting. Their =
collection received its first public recognition nearly a decade ago with a=
large show at Vienna’s Belvedere Museum. The couple are now selling =
39 works at Christie’s in Paris on October 19th with an estimate of &=
#8364;20 million. The money raised will be used to create an endowment for =
a foundation to keep the rest of the collection together. </p><p style=3D"=
color: rgb(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0 0 20p=
x 0;"><span>The top lot in the sale is Gerhard Richter’s </span><em>W=
aldstück</em><span> from 1969. The work is estimated at €4 milli=
on. One of four works in a series that helped Richter make the transition f=
rom realist works to abstraction, another of the series is in the Louisiana=
Museum of Modern Art in Copenhagen. Adrian Ghenie’s </span><em>Fligh=
t into Egypt</em><span> will be sold with a €2.5 million estimate. An=
other work by Ghenie, </span><em>Charles Darwin as a Young Man</em><span> w=
ill also be auctioned. </span></p><p style=3D"color: rgb(64, 64, 64); font-=
size: 16px; line-height: 26px; margin: 0 0 20px 0;"><span>Other works in th=
e sale include two paintings by Agnes Martin, </span><em>The Lamp</em><span=
> from 1959 and </span><em>On a Clear Day</em><span> from 1973; Georg Basel=
itz’s </span><em>Wegtreten der Mantel</em><span> from 2014; Julie Meh=
retu’s Blue Magic from 2007; Yayoi Kusama’s </span><em>Infinity=
Nets (AOTWX)</em><span> from 2008 and DOTS-OBSESSION [QZBA] from 2008. Est=
imates have not been released for these lots. Of the remaining 30 works, ma=
ny were made by female artists like Lisa Yuskavage, Sarah Lucas, Rebecca Wa=
rren, Joyce Pensato and Paola Pivi. </span></p><h4 class=3D"header-with-anc=
hor-widget" style=3D"-moz-appearance: optimizelegibility; -moz-osx-font-smo=
othing: antialiased; -webkit-appearance: optimizelegibility; -webkit-font-s=
moothing: antialiased; appearance: optimizelegibility; color: rgb(64, 64, 6=
4); font-family: 'SF Compact Display', -apple-system, BlinkMacSystemFont, '=
Segoe UI', Roboto, Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Sego=
e UI Emoji', 'Segoe UI Symbol'; font-size: 1.125em; font-weight: bold; line=
-height: 1.16em; margin: 1em 0 0.625em 0; position: relative;">Liu Yiquan t=
o Sell Modigliani, Kerry James Marshall & Jenny Saville</h4><div class=
=3D"captioned-image-container-static" style=3D"font-size: 16px; line-height=
: 26px; margin: 32px auto;"><figure style=3D"margin: 0 auto; width: 100%;">=
<table class=3D"image-wrapper" width=3D"100%" border=3D"0" cellspacing=3D"0=
" cellpadding=3D"0" data-component-name=3D"Image2ToDOMStatic" style=3D"mso-=
padding-alt: 1em 0 1.6em;"><tbody><tr><td style=3D"text-align: center;"></t=
d><td align=3D"left" class=3D"content" width=3D"1224" style=3D"text-align: =
center;"><a class=3D"image-link" target=3D"_blank" href=3D"https://link.sbs=
tck.com/redirect/aac8143b-f0da-4911-9acd-6d1948e6a05f?j=3DeyJ1IjoiMjdjZXI5I=
n0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY" rel style=3D"align-items: c=
enter; border: none; display: block; flex-direction: column; height: auto; =
margin: 0; padding: 0; position: relative; text-decoration: none; width: au=
to;"><img data-attrs=3D"{"src":"https://substack-post-media.=
s3.amazonaws.com/public/images/6aebc5fb-b795-4ebd-a7bd-fa7300d2d564_1224x97=
0.png","srcNoWatermark":null,"fullscreen":null,&qu=
ot;imageSize":null,"height":970,"width":1224,"=
;resizeWidth":null,"bytes":2465048,"alt":null,&quo=
t;title":null,"type":"image/png","href":=
null,"belowTheFold":true,"topImage":false,"interna=
lRedirect":null}" alt width=3D"550" height=3D"435.86601307189545" clas=
s=3D"wide-image" src=3D"https://substackcdn.com/image/fetch/w_2448,c_limit,=
f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s=
3.amazonaws.com%2Fpublic%2Fimages%2F6aebc5fb-b795-4ebd-a7bd-fa7300d2d564_12=
24x970.png" style=3D"-ms-interpolation-mode: bicubic; border: none !importa=
nt; display: block; height: auto; margin: 0 auto; margin-bottom: 0; max-wid=
th: 100% !important; vertical-align: middle; width: auto !important;"></a><=
/td><td style=3D"text-align: center;"></td></tr></tbody></table></figure></=
div><p style=3D"color: rgb(64, 64, 64); font-size: 16px; line-height: 26px;=
margin: 0 0 20px 0;"><a href=3D"https://link.sbstck.com/redirect/a190f8fc-=
897e-45a7-8e02-0f1cc055d9c0?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5i=
RnigHXx6Fx_g6pp7gWdY" rel style=3D"color: rgb(64, 64, 64); text-decoration:=
underline;">Artnet reported this week </a><span>that Liu Yiquan and Wang W=
ei are selling works worth more than $150 million through Sotheby’s t=
his Fall. In response to Artnet’s queries, Sotheby’s told the w=
ebsite that the, “proceeds from the forthcoming sales [are] destined =
to further key initiatives at the Long Museum, while also funding future ac=
quisitions and the continued fostering of cultural dialogues between differ=
ent artists, geographies and generations.”</span></p><p style=3D"colo=
r: rgb(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0 0 20px 0;=
"><span>According to Artnet, Liu and Wang asked all three auction houses to=
bid on a group of works by artists Zao Wou-ki, René Magritte, David H=
ockney, Matthew Wong, and Yayoi Kusama. Three works singled out to Artnet b=
y informants who did not get the consignment were Amadeo Modigliani’s=
portrait of </span><em>Paulette Jourdain</em><span> from 1919 that sold fo=
r $42.8 million in the Alfred Taubman sale; Jenny Saville’s </span><e=
m>Shift</em><span> from 1996-98 sold for nearly $9 million in 2016; and a w=
ork by Kerry James Marshall, </span><em>Plunge</em><span> painted in 1992 t=
hat was sold for $2.1 million while Marshall’s retrospective </span><=
em>Mastry</em><span> was making its way from Chicago to New York’s Me=
tropolitan museum in 2016. </span></p><div style=3D"font-size: 16px; line-h=
eight: 26px;"><hr style=3D"background: #e0e0e0; border: none; height: 1px; =
margin: 32px 0; padding: 0;"></div><h2 class=3D"header-with-anchor-widget" =
style=3D"-moz-appearance: optimizelegibility; -moz-osx-font-smoothing: anti=
aliased; -webkit-appearance: optimizelegibility; -webkit-font-smoothing: an=
tialiased; appearance: optimizelegibility; color: rgb(64, 64, 64); font-fam=
ily: 'SF Compact Display', -apple-system, BlinkMacSystemFont, 'Segoe UI', R=
oboto, Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji',=
'Segoe UI Symbol'; font-size: 1.625em; font-weight: bold; line-height: 1.1=
6em; margin: 1em 0 0.625em 0; position: relative;">Results</h2><h4 class=3D=
"header-with-anchor-widget" style=3D"-moz-appearance: optimizelegibility; -=
moz-osx-font-smoothing: antialiased; -webkit-appearance: optimizelegibility=
; -webkit-font-smoothing: antialiased; appearance: optimizelegibility; colo=
r: rgb(64, 64, 64); font-family: 'SF Compact Display', -apple-system, Blink=
MacSystemFont, 'Segoe UI', Roboto, Helvetica, Arial, sans-serif, 'Apple Col=
or Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol'; font-size: 1.125em; font-we=
ight: bold; line-height: 1.16em; margin: 1em 0 0.625em 0; position: relativ=
e;">Phillips Drop Shop: CJ Hendry =3D $588,650</h4><div class=3D"captioned-=
image-container-static" style=3D"font-size: 16px; line-height: 26px; margin=
: 32px auto;"><figure style=3D"margin: 0 auto; width: 100%;"><table class=
=3D"image-wrapper" width=3D"100%" border=3D"0" cellspacing=3D"0" cellpaddin=
g=3D"0" data-component-name=3D"Image2ToDOMStatic" style=3D"mso-padding-alt:=
1em 0 1.6em;"><tbody><tr><td style=3D"text-align: center;"></td><td align=
=3D"left" class=3D"content" width=3D"1456" style=3D"text-align: center;"><a=
class=3D"image-link" target=3D"_blank" href=3D"https://link.sbstck.com/red=
irect/d91494ca-fbf1-4fba-b532-54b4eaf88451?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c=
1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY" rel style=3D"align-items: center; bord=
er: none; display: block; flex-direction: column; height: auto; margin: 0; =
padding: 0; position: relative; text-decoration: none; width: auto;"><img d=
ata-attrs=3D"{"src":"https://substack-post-media.s3.amazonaw=
s.com/public/images/c80058e2-31e3-4cab-a480-2f2d15f7f8d9_2180x1490.png"=
;,"srcNoWatermark":null,"fullscreen":null,"imageSi=
ze":null,"height":995,"width":1456,"resizeWid=
th":null,"bytes":1148608,"alt":null,"title&qu=
ot;:null,"type":"image/png","href":null,"=
;belowTheFold":true,"topImage":false,"internalRedirect&=
quot;:null}" alt width=3D"550" height=3D"375.8585164835165" class=3D"wide-i=
mage" src=3D"https://substackcdn.com/image/fetch/w_2912,c_limit,f_auto,q_au=
to:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws=
=2Ecom%2Fpublic%2Fimages%2Fc80058e2-31e=
3-4cab-a480-2f2d15f7f8d9_2180x1490.png=
" style=3D"-ms-interpolation-mode: bicubic; border: none !important; displa=
y: block; height: auto; margin: 0 auto; margin-bottom: 0; max-width: 100% !=
important; vertical-align: middle; width: auto !important;"></a></td><td st=
yle=3D"text-align: center;"></td></tr></tbody></table></figure></div><p sty=
le=3D"color: rgb(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0=
0 20px 0;">Not all of the action in the art market takes place in the sale=
s of paintings and sculptures. This week, Phillips debuted its new concept =
of direct-to-consumer artist’s sales with CJ Hendry’s combinati=
on scavenger hunt and online sale. Master of the stunt art event, Hendry to=
ok over Phillips Park Avenue headquarters for the weekend and filled it wit=
h inflatable crowns. Among the 50,000 red crowns marked SPARE in Phillips&#=
8217;s space, Hendry had sprinkled 100 marked AIR. Any visitor lucky enough=
to find one of the AIR crowns could redeem it for a cast bronze crown in a=
custom carrying case. In the end, searchers only found 21 of the crowns le=
aving another 79 to be sold in Phillips’s Drop Shop along with one of=
Hendry’s pencil drawings depicting a red inflatable crown. The total=
sale was $588,650. But Phillips’s editions department now has the op=
portunity to make a market in all 100 crowns plus whatever number of crowns=
Hendry made as artist’s proofs. A bronze inflatable and the connecti=
on between multiples and a more substantial work of art brings to mind Jeff=
Koons and his balloon dogs and the Bernardaud replicas he has sold so many=
of as well. Phillips’s strength in the growing multiples market also=
makes this collaboration a potential harbinger of other art projects that =
mix the immediacy of collectibles with the aspirations of art works. Not ev=
ery artist has Hendry’s strong following, social media skills, or abi=
lity to conceive of and execute the marketing events that she does. So foll=
owing this success won’t be easy. </p><div style=3D"font-size: 16px; =
line-height: 26px;"><hr style=3D"background: #e0e0e0; border: none; height:=
1px; margin: 32px 0; padding: 0;"></div><h2 class=3D"header-with-anchor-wi=
dget" style=3D"-moz-appearance: optimizelegibility; -moz-osx-font-smoothing=
: antialiased; -webkit-appearance: optimizelegibility; -webkit-font-smoothi=
ng: antialiased; appearance: optimizelegibility; color: rgb(64, 64, 64); fo=
nt-family: 'SF Compact Display', -apple-system, BlinkMacSystemFont, 'Segoe =
UI', Roboto, Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI E=
moji', 'Segoe UI Symbol'; font-size: 1.625em; font-weight: bold; line-heigh=
t: 1.16em; margin: 1em 0 0.625em 0; position: relative;">Notes</h2><ol styl=
e=3D"margin-top: 0; padding: 0;"><li style=3D"margin: 8px 0 0 32px;"><p sty=
le=3D"box-sizing: border-box; color: rgb(64, 64, 64); font-size: 16px; line=
-height: 26px; margin: 0; margin-bottom: 0; padding-left: 4px;"><strong>Pro=
gramming note:</strong><span> There will be no </span><em>What We Learned t=
his Week</em><span> for the 35th week of 2023 (Aug 26 to Sept 1st.) Artelli=
gence will be on hiatus.</span></p></li><li style=3D"margin: 8px 0 0 32px;"=
><p style=3D"box-sizing: border-box; color: rgb(64, 64, 64); font-size: 16p=
x; line-height: 26px; margin: 0; margin-bottom: 0; padding-left: 4px;"><str=
ong>Pierre Cornette de Saint Cyr dies at 84:</strong><span> He sold the auc=
tion house he founded in 1973 to Bonhams last year. Cornette de Saint Cyr h=
ad a high profile in France due to his celebrity auctions and chairmanship =
of the Palais de Tokyo for nearly a decade.</span></p></li><li style=3D"mar=
gin: 8px 0 0 32px;"><p style=3D"box-sizing: border-box; color: rgb(64, 64, =
64); font-size: 16px; line-height: 26px; margin: 0; margin-bottom: 0; paddi=
ng-left: 4px;"><strong>Claude Picasso dies at 76</strong><span>: Claude Pic=
asso’s lawyer informed the press that Picasso’s son with Fran&#=
231;oise Gilot died this week at the age of 76. Claude ran the Picasso esta=
te until he turned the authority over to his sister Paloma last month. </sp=
an><a href=3D"https://link.sbstck.com/redirect/4ab8370c-b739-4794-a5d9-72cd=
2d9f34cd?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWd=
Y" rel style=3D"color: rgb(64, 64, 64); text-decoration: underline;">Milton=
Esterow wrote about the conflict among Picasso’s heirs in Vanity Fai=
r in 2016</a><span>.</span></p></li><li style=3D"margin: 8px 0 0 32px;"><p =
style=3D"box-sizing: border-box; color: rgb(64, 64, 64); font-size: 16px; l=
ine-height: 26px; margin: 0 0 20px 0; margin-bottom: 0; padding-left: 4px;"=
><strong>What’s Blue Chip Now? (Results): </strong><span>It wasn̵=
7;t a surprise to see that 33% of respondents thought only great work by a =
major artist should be considered desirable Blue Chip property right now. B=
ut seeing 19% say that quality work by new talent was also Blue Chip was &#=
8230; interesting. That’s the same percentage who thought any work by=
a major artist qualifies as Blue Chip which is also somewhat new as a poin=
t of view. A close 17% think high quality work by major or minor with good =
provenance makes the grade. High quality work by minor artists just couldn&=
#8217;t compete garnering only 12% of the votes.</span></p><div class=3D"ca=
ptioned-image-container-static" style=3D"font-size: 16px; line-height: 26px=
; margin: 32px auto; margin-bottom: 0;"><figure style=3D"margin: 0 auto; wi=
dth: 100%;"><table class=3D"image-wrapper" width=3D"100%" border=3D"0" cell=
spacing=3D"0" cellpadding=3D"0" data-component-name=3D"Image2ToDOMStatic" s=
tyle=3D"mso-padding-alt: 1em 0 1.6em;"><tbody><tr><td style=3D"text-align: =
center;"></td><td align=3D"left" class=3D"content" width=3D"600" style=3D"t=
ext-align: center;"><a class=3D"image-link" target=3D"_blank" href=3D"https=
://link.sbstck.com/redirect/3dab12dc-362d-4927-8e8c-d8dc4011e3bd?j=3DeyJ1Ij=
oiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY" rel style=3D"ali=
gn-items: center; border: none; display: block; flex-direction: column; hei=
ght: auto; margin: 0; padding: 0; position: relative; text-decoration: none=
; width: auto;"><img data-attrs=3D"{"src":"https://substack-=
post-media.s3.amazonaws.com/public/images/b1caa091-eb8f-4fb4-87d4-eb7e50ef4=
6d4_600x371.png","srcNoWatermark":null,"fullscreen"=
;:null,"imageSize":null,"height":371,"width":=
600,"resizeWidth":null,"bytes":23540,"alt":nu=
ll,"title":null,"type":"image/png","href=
":null,"belowTheFold":true,"topImage":false,"=
internalRedirect":null}" alt width=3D"550" height=3D"340.0833333333333=
" class=3D"wide-image" src=3D"https://substackcdn.com/image/fetch/w_1200,c_=
limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-m=
edia.s3.amazonaws.com%2Fpublic%2Fimages%2Fb1caa091-eb8f-4fb4-87d4-eb7e50ef4=
6d4_600x371.png" style=3D"-ms-interpolation-mode: bicubic; border: none !im=
portant; display: block; height: auto; margin: 0 auto; margin-bottom: 0; ma=
x-width: 100% !important; vertical-align: middle; width: auto !important;">=
</a></td><td style=3D"text-align: center;"></td></tr></tbody></table></figu=
re></div></li></ol><div style=3D"font-size: 16px; line-height: 26px;"><hr s=
tyle=3D"background: #e0e0e0; border: none; height: 1px; margin: 32px 0; pad=
ding: 0;"></div><h4 class=3D"header-with-anchor-widget" style=3D"-moz-appea=
rance: optimizelegibility; -moz-osx-font-smoothing: antialiased; -webkit-ap=
pearance: optimizelegibility; -webkit-font-smoothing: antialiased; appearan=
ce: optimizelegibility; color: rgb(64, 64, 64); font-family: 'SF Compact Di=
splay', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Helvetica, A=
rial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol';=
font-size: 1.125em; font-weight: bold; line-height: 1.16em; margin: 1em 0 =
0.625em 0; position: relative;">The Indigenous Among Us</h4><div class=3D"c=
aptioned-image-container-static" style=3D"font-size: 16px; line-height: 26p=
x; margin: 32px auto;"><figure style=3D"margin: 0 auto; width: 100%;"><tabl=
e class=3D"image-wrapper" width=3D"100%" border=3D"0" cellspacing=3D"0" cel=
lpadding=3D"0" data-component-name=3D"Image2ToDOMStatic" style=3D"mso-paddi=
ng-alt: 1em 0 1.6em;"><tbody><tr><td style=3D"text-align: center;"></td><td=
align=3D"left" class=3D"content" width=3D"1456" style=3D"text-align: cente=
r;"><a class=3D"image-link" target=3D"_blank" href=3D"https://link.sbstck.c=
om/redirect/f2736290-e025-45d4-be3f-1525aed737ae?j=3DeyJ1IjoiMjdjZXI5In0.nC=
NhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY" rel style=3D"align-items: center=
; border: none; display: block; flex-direction: column; height: auto; margi=
n: 0; padding: 0; position: relative; text-decoration: none; width: auto;">=
<img data-attrs=3D"{"src":"https://substack-post-media.s3.am=
azonaws.com/public/images/92298f4f-7b0b-42cc-85d7-e9774a2e6730_2866x2510.jp=
eg","srcNoWatermark":null,"fullscreen":null,"=
imageSize":null,"height":1275,"width":1456,"r=
esizeWidth":null,"bytes":1418000,"alt":null,"=
title":null,"type":"image/jpeg","href":n=
ull,"belowTheFold":true,"topImage":false,"internal=
Redirect":null}" alt width=3D"550" height=3D"481.62774725274727" class=
=3D"wide-image" src=3D"https://substackcdn.com/image/fetch/w_2912,c_limit,f=
_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3=
=2Eamazonaws.com%2Fpublic%2Fimages%2F92=
298f4f-7b0b-42cc-85d7-e9774a2e6730_286=
6x2510.jpeg" style=3D"-ms-interpolation-mode: bicubic; border: none !import=
ant; display: block; height: auto; margin: 0 auto; margin-bottom: 0; max-wi=
dth: 100% !important; vertical-align: middle; width: auto !important;"></a>=
</td><td style=3D"text-align: center;"></td></tr></tbody></table><figcaptio=
n class=3D"image-caption" style=3D"box-sizing: content-box; color: #808080;=
font-size: 14px; font-weight: 400; letter-spacing: -.15px; line-height: 20=
px; margin-top: 8px; padding-left: 15%; padding-right: 15%; text-align: cen=
ter; width: 70%;">Grounded in Clay at the Met</figcaption></figure></div><p=
style=3D"color: rgb(64, 64, 64); font-size: 16px; line-height: 26px; margi=
n: 0 0 20px 0;">Indigenous land acknowledgements have become a clichéd=
feature of institutional life, they are regularly invoked at public occasi=
ons and ceremonies as if adding to an institution's provenance. What irks m=
any about the seemingly “woke” performance is that these acknow=
ledgements often treat the indigenous as though they are perforce a matter =
of history, fully past and eradicated. </p><p style=3D"color: rgb(64, =
64, 64); font-size: 16px; line-height: 26px; margin: 0 0 20px 0;">Two exhib=
itions that were briefly open in New York simultaneously this Summer—=
;Jaune Quick-to-See Smith’s retrospective at the Whitney and the Pueb=
lo pottery show “Grounded in Clay” split between the Vilcek Fou=
ndation on the Upper East Side and the Metropolitan Museum of Art—dem=
onstrate that indigenous communities persist in America even after thousand=
s of years lived upon harsh lands and hundreds of years of enduring persecu=
tion from Spanish and American colonizers. </p><p style=3D"color: rgb(=
64, 64, 64); font-size: 16px; line-height: 26px; margin: 0 0 20px 0;">The s=
how also reminds us that indigenous culture is alive, thriving and has a gr=
eat deal to teach us about the intimate symbiosis between art and culture, =
the individual and a community and its history. </p><p style=3D"color:=
rgb(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0 0 20px 0;">=
<span>Jaune Quick-to-See Smith’s show has closed but her art which em=
erged from a Native epistemology in dialogue with the Contemporary artists =
of her own generation makes a simple call for “every part of our soci=
ety to have representation by all of its citizens.” Smith was the fir=
st Native artist to have a work enter the collection of the National Galler=
y in Washington but she doesn’t see that as a victory. “The gra=
nd moment would come when they create a collection of Contemporary Native A=
merican art, not just antiquities,” </span><a href=3D"https://link.sb=
stck.com/redirect/3c2e21d0-df14-4dbe-89cb-cfd6cc77e142?j=3DeyJ1IjoiMjdjZXI5=
In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY" rel style=3D"color: rgb(64=
, 64, 64); text-decoration: underline;">the artist told Serena Altschul in =
a </a><em><a href=3D"https://link.sbstck.com/redirect/3c2e21d0-df14-4dbe-89=
cb-cfd6cc77e142?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g=
6pp7gWdY" rel style=3D"color: rgb(64, 64, 64); text-decoration: underline;"=
>CBS Sunday Morning</a></em><a href=3D"https://link.sbstck.com/redirect/3c2=
e21d0-df14-4dbe-89cb-cfd6cc77e142?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpi=
srMe5iRnigHXx6Fx_g6pp7gWdY" rel style=3D"color: rgb(64, 64, 64); text-decor=
ation: underline;"> interview</a><span>. ”If you just let me come thr=
ough the door, I’ll bring my community with me.”</span></p><p s=
tyle=3D"color: rgb(64, 64, 64); font-size: 16px; line-height: 26px; margin:=
0 0 20px 0;">Yet Indigenous communities experience their art in ways that =
are profoundly different from the way we experience art. The “we̶=
1; here can either be Westerners and our conception of art; or art world in=
habitants and our commodification of art as a luxury item; or our culture&#=
8217;s fetishism of art as a signifier of status or a talisman within a sec=
ular religion of creativity. (Yes, there’s a lot going on in that sen=
tence.)</p><p style=3D"color: rgb(64, 64, 64); font-size: 16px; line-height=
: 26px; margin: 0 0 20px 0;"><span>What you will see when you go to the Met=
ropolitan museum of art to see </span><em>Grounded in Clay</em><span>—=
;or, better yet, </span><a href=3D"https://link.sbstck.com/redirect/d143296=
0-9dba-4023-8940-ae0003c44e86?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe=
5iRnigHXx6Fx_g6pp7gWdY" rel style=3D"color: rgb(64, 64, 64); text-decoratio=
n: underline;">avail yourself of the intimate experience of a guided tour o=
f Pueblo pots at the Vilcek Foundation</a><span>—are works created by=
Pueblo communities presented by members of those communities. These clay p=
ots were made for a variety of day-to-day purposes. Some were made in the p=
ast few years; some were created over several decades stretching back into =
the early 19th Century; and a few objects in the displays are as much as a =
thousand years old. </span></p><div class=3D"captioned-image-container=
-static" style=3D"font-size: 16px; line-height: 26px; margin: 32px auto;"><=
figure style=3D"margin: 0 auto; width: 100%;"><table class=3D"image-wrapper=
" width=3D"100%" border=3D"0" cellspacing=3D"0" cellpadding=3D"0" data-comp=
onent-name=3D"Image2ToDOMStatic" style=3D"mso-padding-alt: 1em 0 1.6em;"><t=
body><tr><td style=3D"text-align: center;"></td><td align=3D"left" class=3D=
"content" width=3D"1456" style=3D"text-align: center;"><a class=3D"image-li=
nk" target=3D"_blank" href=3D"https://link.sbstck.com/redirect/973d797f-354=
1-4890-a07d-7639c741edd1?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRni=
gHXx6Fx_g6pp7gWdY" rel style=3D"align-items: center; border: none; display:=
block; flex-direction: column; height: auto; margin: 0; padding: 0; positi=
on: relative; text-decoration: none; width: auto;"><img data-attrs=3D"{&quo=
t;src":"https://substack-post-media.s3.amazonaws.com/public/image=
s/751b3f33-7201-4ac6-9f25-101a8d6a087e_2846x2182.jpeg","srcNoWate=
rmark":null,"fullscreen":null,"imageSize":null,&qu=
ot;height":1116,"width":1456,"resizeWidth":null,&q=
uot;bytes":2359459,"alt":null,"title":null,"t=
ype":"image/jpeg","href":null,"belowTheFold&q=
uot;:true,"topImage":false,"internalRedirect":null}" al=
t width=3D"550" height=3D"421.5659340659341" class=3D"wide-image" src=3D"ht=
tps://substackcdn.com/image/fetch/w_2912,c_limit,f_auto,q_auto:good,fl_prog=
ressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2=
Fimages%2F751b3f33-7201-4ac6-9f25-101a8d6a087e_2846x2182.jpeg" style=3D"-ms=
-interpolation-mode: bicubic; border: none !important; display: block; heig=
ht: auto; margin: 0 auto; margin-bottom: 0; max-width: 100% !important; ver=
tical-align: middle; width: auto !important;"></a></td><td style=3D"text-al=
ign: center;"></td></tr></tbody></table><figcaption class=3D"image-caption"=
style=3D"box-sizing: content-box; color: #808080; font-size: 14px; font-we=
ight: 400; letter-spacing: -.15px; line-height: 20px; margin-top: 8px; padd=
ing-left: 15%; padding-right: 15%; text-align: center; width: 70%;">Nahohai=
Tribute Pot</figcaption></figure></div><p style=3D"color: rgb(64, 64, 64);=
font-size: 16px; line-height: 26px; margin: 0 0 20px 0;">The touring exhib=
ition which debuted last year in Santa Fe celebrates the centenary of the P=
ueblo Pottery Fund, a project begun by well-meaning wealthy settlers in San=
ta Fe who developed an interest in Indigenous art. </p><p style=3D"col=
or: rgb(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0 0 20px 0=
;"><span>The Pueblo Pottery Fund eventually became the </span><a href=3D"ht=
tps://link.sbstck.com/redirect/dc9158a0-257d-4507-a815-8c977c994d42?j=3DeyJ=
1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY" rel style=3D"=
color: rgb(64, 64, 64); text-decoration: underline;">Indian Arts Research C=
enter at Santa Fe’s School for Advanced Research which holds some 12,=
000 Indigenous works of ar</a><span>t, many ceramic pots but also textiles =
and works in other mediums, gathered over the last 100 years in two “=
vaults.” No matter how well intentioned the founders were, the premis=
e of the pottery fund was, according to IARC’s current director Elysi=
a Poon, “unquestionably presumptuous and paternalistic.” <=
/span></p><p style=3D"color: rgb(64, 64, 64); font-size: 16px; line-height:=
26px; margin: 0 0 20px 0;">What makes these works of art so very different=
from works that derive from a European tradition is that they have a very =
different kind of status to Indigenous people. Pueblo community members vie=
w these utilitarian objects like people because they interact with the obje=
cts on a daily basis and because they are a repository of historical experi=
ence. For the Indigenous, encountering these objects is a real-life version=
of that parlor game where you imagine yourself able to time travel. It beg=
ins with the question, “if you could have dinner with any figure from=
history?”  </p><p style=3D"color: rgb(64, 64, 64); font-size: 1=
6px; line-height: 26px; margin: 0 0 20px 0;">For Indigenous people, being i=
n the presence of these pots is like encountering their ancestors. Accordin=
g to Joseph Aquilar, an anthropologist, member of a Pueblo community and a =
contributor to the catalog of the exhibition, “Historical memories an=
d our understandings of pottery and other cultural patrimonies are tantamou=
nt to a form of Indigenous intellect.” By that he means the clay pots=
reflect “a physical, spiritual, and intellectual worldview that is i=
nextricably linked to land, people, and history.”</p><p style=3D"colo=
r: rgb(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0 0 20px 0;=
">But Indigenous art isn’t art because it was made by a talented arti=
st. It’s art because of the role plays in Pueblo life. “[E]ven =
in its finished form, pottery does not inherently possess life by simply be=
ing,” Aguilar adds. “In Pueblo ontologies, people give meaning =
and voice to pottery, and it becomes a part of our world through consecrate=
d use in Pueblo society.” </p><p style=3D"color: rgb(64, 64, 64)=
; font-size: 16px; line-height: 26px; margin: 0 0 20px 0;">To address this =
very different worldview, the organizers of the exhibition dispensed with a=
traditional curator and created the Pueblo Pottery Collective which compri=
ses more than 60 potters, designers, and other artists including writers an=
d poets drawn from 22 Pueblo communities in the Southwest. All are Native A=
mericans (though a few non-Native museum professionals either participated =
in or assisted the collective.) They were each asked to choose a pot from t=
he IARC vaults or the Vilcek collection and explain the importance the obje=
ct held to them. Nothing underscores the intimate and personal relationship=
s between the members of this community and their art more than this curato=
rial strategy. </p><div class=3D"captioned-image-container-static" sty=
le=3D"font-size: 16px; line-height: 26px; margin: 32px auto;"><figure style=
=3D"margin: 0 auto; width: 100%;"><table class=3D"image-wrapper" width=3D"1=
00%" border=3D"0" cellspacing=3D"0" cellpadding=3D"0" data-component-name=
=3D"Image2ToDOMStatic" style=3D"mso-padding-alt: 1em 0 1.6em;"><tbody><tr><=
td style=3D"text-align: center;"></td><td align=3D"left" class=3D"content" =
width=3D"1456" style=3D"text-align: center;"><a class=3D"image-link" target=
=3D"_blank" href=3D"https://link.sbstck.com/redirect/5574e0bc-188c-4a9b-8ce=
5-6fc44469b45d?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6=
pp7gWdY" rel style=3D"align-items: center; border: none; display: block; fl=
ex-direction: column; height: auto; margin: 0; padding: 0; position: relati=
ve; text-decoration: none; width: auto;"><img data-attrs=3D"{"src"=
;:"https://substack-post-media.s3.amazonaws.com/public/images/84458f88=
-cfac-42a3-a136-d966fc6ec8df_3520x2140.jpeg","srcNoWatermark"=
;:null,"fullscreen":null,"imageSize":null,"height&=
quot;:885,"width":1456,"resizeWidth":null,"bytes&q=
uot;:1273903,"alt":null,"title":null,"type":&=
quot;image/jpeg","href":null,"belowTheFold":true,&=
quot;topImage":false,"internalRedirect":null}" alt width=3D"=
550" height=3D"334.30631868131866" class=3D"wide-image" src=3D"https://subs=
tackcdn.com/image/fetch/w_2912,c_limit,f_auto,q_auto:good,fl_progressive:st=
eep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F=
84458f88-cfac-42a3-a136-d966fc6ec8df_3520x2140.jpeg" style=3D"-ms-interpola=
tion-mode: bicubic; border: none !important; display: block; height: auto; =
margin: 0 auto; margin-bottom: 0; max-width: 100% !important; vertical-alig=
n: middle; width: auto !important;"></a></td><td style=3D"text-align: cente=
r;"></td></tr></tbody></table><figcaption class=3D"image-caption" style=3D"=
box-sizing: content-box; color: #808080; font-size: 14px; font-weight: 400;=
letter-spacing: -.15px; line-height: 20px; margin-top: 8px; padding-left: =
15%; padding-right: 15%; text-align: center; width: 70%;">Three SantaClara =
Water Jars</figcaption></figure></div><p style=3D"color: rgb(64, 64, 64); f=
ont-size: 16px; line-height: 26px; margin: 0 0 20px 0;">It also highlights =
an important strategy coming from the IARC. Aguilar makes no secret of his =
community’s frustration with the partial and fragmented understanding=
of Indigenous culture held by institutions and collectors. And he insists =
on the need for Indigenous voices to exert control over their patrimony.=
60;</p><p style=3D"color: rgb(64, 64, 64); font-size: 16px; line-height: 26=
px; margin: 0 0 20px 0;">“The inherent rights at stake for Pueblo peo=
ple […] are the right to control and contribute to the production of =
knowledge about our culture and cultural patrimony; to protect, preserve, a=
nd represent our cultural patrimony and heritage on our own terms and to pr=
esent our own understandings and accounts of our cultural patrimony,”=
Aguilar writes. “At the core of this mission is the affirmation that=
Western institutions do not hold a monopoly on the understanding and disse=
mination of Pueblo culture and cultural patrimony.”</p><p style=3D"co=
lor: rgb(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0 0 20px =
0;"><span>To see the works at the Met and read the explanations from the Pu=
eblo Pottery Collective members—or, better yet, </span><a href=3D"htt=
ps://link.sbstck.com/redirect/d1432960-9dba-4023-8940-ae0003c44e86?j=3DeyJ1=
IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY" rel style=3D"c=
olor: rgb(64, 64, 64); text-decoration: underline;">tour the Vilcek collect=
ion with an Indigenous guide who will explain the intimate relationship bet=
ween the artists, their materials and the objects they create and their com=
munities</a><span>—is to glimpse a very different understanding of ar=
t. </span></p><p style=3D"color: rgb(64, 64, 64); font-size: 16px; lin=
e-height: 26px; margin: 0 0 20px 0;">One example is an Acoma jar made in th=
e early 1900s selected by Erin Monique Grant of the Colorado River Indian T=
ribes. “This pot is a blessing and a gift,” she writes. “=
Its every aspect connects it with its home and its people: the clay is from=
the land and was gathered by a relative for the purpose of its creation; t=
he form is an evolution of jar shapes made by its ancestors; the designs ar=
e those of its village and neighbors; the colors are derived from natural p=
igments of the land.”</p><p style=3D"color: rgb(64, 64, 64); font-siz=
e: 16px; line-height: 26px; margin: 0 0 20px 0;">Grant’s affection fo=
r the object is tempered by her frustration with the way it has been viewed=
by its previous, surely well-meaning, owners. As Grant drily describes the=
misapprehension around the pot she chose, we can see the humor but also re=
cognize why this important exhibition is a model for understanding an art f=
orm that is both historically complex and vibrantly alive today. </p><=
p style=3D"color: rgb(64, 64, 64); font-size: 16px; line-height: 26px; marg=
in: 0 0 20px 0; margin-bottom: 0;">“The jar had previously passed thr=
ough hands that believed its decoration was of a fish,” she writes, &=
#8220;an ‘abstract fish’ at that. Yet through talks with Acoma =
relatives and simple research, I found out that it is a thunderbird—a=
design its ancestors have been depicting and developing for centuries. Not=
a fish.”</p></div></div><div class=3D"container-border" style=3D"bor=
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