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Subject: Artwork Gift: Terry Flaxton
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 <https://seditionart.us2.list-manage.com/track/click?u=9b52b418036a6d795cd0d68da&id=0a4ec6676e&e=cff4944458>

New Artwork
Terry Flaxton



We have been moved in recent months by the enthusiasm and innovation shown 
by artists showing work on Sedition as they have adapted to lockdowns and 
restrictions. Over the next few days we thrilled to be releasing two artwork 
gifts offered by artists as a reminder of the wealth of creative work being 
made, and the opportunities for discovering inspiring art that are still 
available during difficult times. To receive a free gift of Cloud Sculptures 
over the Atacama Desert by Terry Flaxton, enter the code fAd9cU at checkout.



 <https://seditionart.us2.list-manage.com/track/click?u=9b52b418036a6d795cd0d68da&id=af859cfd90&e=cff4944458>


Terry Flaxton
Cloud Sculptures Over the Atacama Desert


 <https://seditionart.us2.list-manage.com/track/click?u=9b52b418036a6d795cd0d68da&id=ccb6c1a888&e=cff4944458> 
View and Collect



Cloud Sculptures is one of an occasional series of works within Terry 
Flaxton’s Personal Fictions where the overriding influence is from Jorge 
Luis Borges' fantastical literature that sought to shed light on the every 
day through extraordinary and impossible tales. The work also references JG 
Ballard's short story Cloud Sculptors of Coral D, which is about the end of 
the world, when humanity has all but lost its reason to stay alive. In his 
story, those that still lived had become decadent and invented fragile 
pastimes to fill their time - they worked on their art above a long deceased 
coral reef that had calcified in a desert, millennia before.

In Flaxton’s Cloud Sculptures Over the Atacama Desert the artist reimagines 
their pastimes in a more solid way. Gone is the ephemerality of the original 
because we are in a different time – a time of pandemic. Here Flaxton seeks 
to give shape and form for the clouds that are bold and monolithic. In 
Flaxton’s imagined world the sculptors seed the clouds with solidifying 
agents that force them into shapes which reflect the torn and fearful of the 
2020 pandemic.




 <https://seditionart.us2.list-manage.com/track/click?u=9b52b418036a6d795cd0d68da&id=0f720c1b45&e=cff4944458>


British artist Terry Flaxton (b. 1953) has worked with sound composition, 
photography and film. He is widely recognised as an artist who creates 
challenging moving image work that has been featured in publications 
including A History of Video Art, Bloomsbury, 2006 and 2014; Diverse 
Practices, University of Luton Press, 1996; and A Directory of British Film 
and Video, Arts Council England, 1997. His works are held in various 
collections including Lux London, Video les Beaux Jours Strasbourg and AICE 
Milan.



 <https://seditionart.us2.list-manage.com/track/click?u=9b52b418036a6d795cd0d68da&id=21348c92a6&e=cff4944458> 
Follow Terry Flaxton


 <https://seditionart.us2.list-manage.com/track/click?u=9b52b418036a6d795cd0d68da&id=9ac4ae297e&e=cff4944458>


Terry Flaxton recently launched an artwork via the crypto-art community 
Opensea via one of its portals, makersplace. Under every Desert a Sea 
explores cycles of geological time by abstracting images of the Mojave 
desert. The launch is part of Flaxton's ongoing experimentation with online 
art platforms.




 <https://seditionart.us2.list-manage.com/track/click?u=9b52b418036a6d795cd0d68da&id=80dba2ae21&e=cff4944458> 
Find out more




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available during difficult times. To receive a free gift of <em>Cloud =
Sculptures over the Atacama Desert</em> by Terry Flaxton, enter the code =
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                                  Terry Flaxton
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                                  Cloud Sculptures Over the Atacama =
Desert
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cellspacing=3D"0" width=3D"100%" style=3D"border-collapse:collapse =
!important;">
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style=3D"color:#111116;font-family:georgia, =
serif;font-size:16px;font-weight:normal;line-height:24px;padding:0 0 =
12px;">
                          <p style=3D"font-size:inherit;margin:0 0 =
24px;padding:0;"><em>Cloud Sculptures</em> is one of an occasional =
series of works within Terry Flaxton=E2=80=99s <em>Personal =
Fictions</em> where the overriding influence is from Jorge Luis Borges' =
fantastical literature that sought to shed light on the every day =
through extraordinary and impossible tales. The work also references JG =
Ballard's short story <em>Cloud Sculptors of Coral D</em>, which is =
about the end of the world, when humanity has all but lost its reason to =
stay alive. In his story, those that still lived had become decadent and =
invented fragile pastimes to fill their time - they worked on their art =
above a long deceased coral reef that had calcified in a desert, =
millennia before. </p>
                          <p =
style=3D"font-size:inherit;margin:0;padding:0;">In Flaxton=E2=80=99s =
<em>Cloud Sculptures Over the Atacama Desert</em> the artist reimagines =
their pastimes in a more solid way. Gone is the ephemerality of the =
original because we are in a different time =E2=80=93 a time of =
pandemic. Here Flaxton seeks to give shape and form for the clouds that =
are bold and monolithic. In Flaxton=E2=80=99s imagined world the =
sculptors seed the clouds with solidifying agents that force them into =
shapes which reflect the torn and fearful of the 2020 pandemic.</p>
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                                    <p =
style=3D"font-size:inherit;margin:0;padding:0;">British artist Terry =
Flaxton (b. 1953) has worked with sound composition, photography and =
film. He is widely recognised as an artist who creates challenging =
moving image work that has been featured in publications including A =
History of Video Art, Bloomsbury, 2006 and 2014; Diverse Practices, =
University of Luton Press, 1996; and A Directory of British Film and =
Video, Arts Council England, 1997. His works are held in various =
collections including Lux London, Video les Beaux Jours Strasbourg and =
AICE Milan.</p>
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                                                  Follow Terry Flaxton
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12px;">
                              <p =
style=3D"font-size:inherit;margin:0;padding:0;">Terry Flaxton recently =
launched an artwork via the crypto-art community Opensea via one of its =
portals, makersplace. <em>Under every Desert a Sea</em> explores cycles =
of geological time by abstracting images of the Mojave desert. The =
launch is part of Flaxton's ongoing experimentation with online art =
platforms.</p>
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