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<https://seditionart.us2.list-manage.com/track/click?u=9b52b418036a6d795cd0d68da&id=9abd65e72c&e=cff4944458>
New Artwork
François Quévillon
<https://seditionart.us2.list-manage.com/track/click?u=9b52b418036a6d795cd0d68da&id=73d7cd386b&e=cff4944458>
François Quévillon
Météores
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Météores is a body of works inspired by the cosmos and geology that probes
space-time and the complexity of matter, both physical and digital.The works
result from a residency in the Tablelands in Newfoundland (Canada), one of
the few places where the Earth's upper mantle is exposed. Rich in heavy
metals and poor in nutrients required to sustain life, the orange barren
peridotite evoke extraterrestrial landscapes. The collection of 4 looped
animations shows 3D scans of these rocks that defy gravity, solidity or
opacity. They are reminiscent of robotic exploration of Mars as well as some
physiological and psychological effects of augmented and virtual reality,
such as dizziness, disorientation and dream-like state. Each scene is a
world in itself, with its own atmosphere and where the laws of physics are
reinvented.
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François Quévillon
Rooting: Infrastructure
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Rooting: Infrastructure is a new artwork by François Quévillon on Sedition.
The work is launching alongside Quévillon's collection of video works,
Météores. The work invites the viewer to delve into intertwined natural and
urban elements that are turned inside out and upside down. The work follows
an artist residency and an exhibition that François Quévillon made in Mexico
City at the end of 2019 for Connecting the Dots.
<https://seditionart.us2.list-manage.com/track/click?u=9b52b418036a6d795cd0d68da&id=122730f2ba&e=cff4944458>
François Quévillon's interdisciplinary practice explores phenomena of the
world and perception by the implementation of processes sensitive to their
fluctuations and to human interference. It addresses planetary disruptions
as well as those affecting contemporary media, such as the relations between
algorithms and images (photogrammetry, computer vision and other forms of
computational photography).
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Follow François Quévillon
Related
News
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François Quévillon: Gravity and Connecting the Dots
During November and December 2019, as part of Connecting the Dots Festival,
Quévillon took part in a residency in Mexico City in collaboration with UNAM’s
Instituto de Geografía, SOMA, Centro Cultural de España en México, Centro de
Cultura Digital, Fundación Telefónica México and Délégation générale du
Québec à Mexico. The residency, supported by the Canada Council for the
Arts, was part of Connecting the Dots’ 2019 programme, whose focus is on
using art to explore links between territory, technology and society.
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serif;font-size:16px;font-weight:normal;line-height:24px;padding:0 0 =
12px;">
<p =
style=3D"font-size:inherit;margin:0;padding:0;"><em>M=C3=A9t=C3=A9ores</e=
m> is a body of works inspired by the cosmos and geology that probes =
space-time and the complexity of matter, both physical and digital.The =
works result from a residency in the Tablelands in Newfoundland =
(Canada), one of the few places where the Earth's upper mantle is =
exposed. Rich in heavy metals and poor in nutrients required to sustain =
life, the orange barren peridotite evoke extraterrestrial landscapes. =
The collection of 4 looped animations shows 3D scans of these rocks that =
defy gravity, solidity or opacity. They are reminiscent of robotic =
exploration of Mars as well as some physiological and psychological =
effects of augmented and virtual reality, such as dizziness, =
disorientation and dream-like state. Each scene is a world in itself, =
with its own atmosphere and where the laws of physics are =
reinvented.</p>
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36a6d795cd0d68da&id=3D829156eddf&e=3Dcff4944458" =
style=3D"color:#111116;">
<img width=3D"640" alt=3D"Rooting: =
Infrastructure" class=3D"content-image" =
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Fran=C3=A7ois Qu=C3=A9villon
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Rooting: Infrastructure
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View and Collect
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<![endif]-->
<table align=3D"center" border=3D"0" cellpadding=3D"0" =
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<td align=3D"left" valign=3D"top">
<table border=3D"0" cellpadding=3D"0" =
cellspacing=3D"0" width=3D"100%" style=3D"border-collapse:collapse =
!important;">
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style=3D"color:#111116;font-family:georgia, =
serif;font-size:16px;font-weight:normal;line-height:24px;padding:0 0 =
12px;">
<p style=3D"font-size:inherit;margin:0 0 =
24px;padding:0;"></p>
<p =
style=3D"font-size:inherit;margin:0;padding:0;"><em>Rooting: =
Infrastructure</em> is a new artwork by Fran=C3=A7ois Qu=C3=A9villon on =
Sedition. The work is launching alongside Qu=C3=A9villon's collection of =
video works, <em>M=C3=A9t=C3=A9ores</em>. The work invites the viewer to =
delve into intertwined natural and urban elements that are turned inside =
out and upside down. The work follows an artist residency and an =
exhibition that Fran=C3=A7ois Qu=C3=A9villon made in Mexico City at the =
end of 2019 for Connecting the Dots.</p>
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sans-serif; font-size: 14px; height: auto; line-height: 100%; outline: =
none; text-align: center; text-decoration: none;"></a>
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width=3D"430">
<![endif]-->
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dir=3D"ltr" =
style=3D"display:inline-block;margin-right:0px;max-width:430px;vertical-a=
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<table align=3D"left" border=3D"0" =
cellpadding=3D"0" cellspacing=3D"0" class=3D"wrapper" width=3D"430" =
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<p =
style=3D"font-size:inherit;margin:0;padding:0;">Fran=C3=A7ois =
Qu=C3=A9villon's interdisciplinary practice explores phenomena of the =
world and perception by the implementation of processes sensitive to =
their fluctuations and to human interference. It addresses planetary =
disruptions as well as those affecting contemporary media, such as the =
relations between algorithms and images (photogrammetry, computer vision =
and other forms of computational photography).</p>
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Follow Fran=C3=A7ois =
Qu=C3=A9villon
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Fran=C3=A7ois Qu=C3=A9villon: Gravity =
and Connecting the Dots
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<p =
style=3D"font-size:inherit;margin:0;padding:0;">During November and =
December 2019, as part of Connecting the Dots Festival, Qu=C3=A9villon =
took part in a residency in Mexico City in collaboration with =
UNAM=E2=80=99s Instituto de Geograf=C3=ADa, SOMA, Centro Cultural de =
Espa=C3=B1a en M=C3=A9xico, Centro de Cultura Digital, Fundaci=C3=B3n =
Telef=C3=B3nica M=C3=A9xico and D=C3=A9l=C3=A9gation g=C3=A9n=C3=A9rale =
du Qu=C3=A9bec =C3=A0 Mexico. The residency, supported by the Canada =
Council for the Arts, was part of Connecting the Dots=E2=80=99 2019 =
programme, whose focus is on using art to explore links between =
territory, technology and society.</p>
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