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Subject: Meditations in Color by Pixel Symphony
Date: Mon, 1 Jun 2026 17:33:55 +0100
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  <https://eotrx.substackcdn.com/o/4c87c2f1c63686fb/p.gif?token=eyJtIjoiPDIwMjYwNjAxMTYzMzU1LjMuMjhmYmI3NDAwMDE0MzJiYUBtZy1kMC5zdWJzdGFjay5jb20-IiwidSI6MTMzMjY4NjYxLCJyIjoiZW56b0BzaG93ZmlsZS5jb20iLCJkIjoibWctZDAuc3Vic3RhY2suY29tIiwicCI6MjAwMTQzODc3LCJ0IjoibmV3c2xldHRlciIsImEiOiJldmVyeW9uZSIsInMiOjcwNTMwNjIsImMiOiJwb3N0IiwiZiI6dHJ1ZSwicG9zaXRpb24iOiJ0b3AiLCJpYXQiOjE3ODAzMzE2OTgsImV4cCI6MTc4MjkyMzY5OCwiaXNzIjoicHViLTAiLCJzdWIiOiJlbyJ9.5OirCl8nNYahhQNR66RveQbgYRKTL1xFxpB4V1qYsXs>
A living study of color in use, across time
͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏      
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for more


Meditations in Color by Pixel Symphony 
<https://substack.com/app-link/post?publication_id=7053062&post_id=200143877&utm_source=post-email-title&utm_campaign=email-post-title&isFreemail=true&r=27cer9&token=eyJ1c2VyX2lkIjoxMzMyNjg2NjEsInBvc3RfaWQiOjIwMDE0Mzg3NywiaWF0IjoxNzgwMzMxNjk3LCJleHAiOjE3ODI5MjM2OTcsImlzcyI6InB1Yi03MDUzMDYyIiwic3ViIjoicG9zdC1yZWFjdGlvbiJ9.ICdkRMEgk4erKTjivkgjps-CV9T5XcJspJQZSES7UE4>


A living study of color in use, across time




SuperRare <https://substack.com/@superrarelabs>


Jun 1
 <https://substack.com/@superrarelabs>




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 <https://open.substack.com/pub/superrarelabs/p/meditations-in-color-by-pixel-symphony?utm_source=email&redirect=app-store&utm_campaign=email-read-in-app>

READ IN APP 
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Meditations in Color: https://meditationsincolor.com/ 
<https://link.sbstck.com/redirect/bfb2da40-4679-4d94-a3bd-fe3716334726?j=eyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY>

A digital archive, research platform, and generative practice studying how 
artists work with color across time and how chromatic intelligence can carry 
into new forms.


On Color


Meditations in Color began with a studio question: how do artists actually 
work with color when viewed across an entire body of work, rather than 
through a handful of familiar images?

Above all, Pixel Symphony wanted it to become a place to come and meditate 
in color. In the absence of a coherent collection that allows viewers to sit 
with an artist’s chromatic life within a single field of attention, he began 
building the place he wanted for himself, as well as for friends and 
acquaintances who had long wished for it too: somewhere to experience 
Matisse’s colors across his works, or Bonnard’s, or Morandi’s, as fully as 
possible in one place.

	 <https://link.sbstck.com/redirect/2b04ef1a-0fa0-4d82-a28f-55ba4d64095e?j=eyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY>

What interests him is not color symbolism alone, but color in use: how it 
holds form, creates rhythm, establishes pressure, sets distance, and 
continues to operate even as subject matter, medium, and composition change 
around it. He returns to artworks for instruction and companionship, but 
also to understand how color behaves once attention remains with the surface 
itself.

This is what anchors the project. It treats color not as an accessory to 
form, but as one of the ways form itself is made.

	 <https://link.sbstck.com/redirect/3831c8b9-1140-49e1-8466-bf76fd2f8194?j=eyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY>
The palette of Paul Signac’s Capo di Noli, Near Genoa, 1898.

On The Archive


The project takes the form of a digital archive and research platform 
spanning artists from the fifteenth century to the present. For each artist, 
Pixel Symphony attempts to gather as much of the work as possible into one 
place, then build pages organized by palette, chromatic relationship, tonal 
range, and atmosphere.

The archive is not intended as an encyclopedia alone. It is meant as a place 
of looking. The goal is to make artists legible through their chromatic 
behavior: what recurs, what widens or narrows over time, which tones seem to 
structure an entire practice, and which colors continue to return as habits 
of seeing and making.

The platform is also a resource. Artists, designers, students, and general 
audiences can compare palettes across entire bodies of work, draw from them 
directly for inspiration, and carry those lessons into their own practice.

	 <https://link.sbstck.com/redirect/91e261bd-e708-449c-a396-189e9eae2722?j=eyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY>
The palette of Wassily Kandinsky’s Several Circles (1926).

On Structure and Generation


Pixel Symphony’s own practice runs alongside the archive, and it is built on 
duality. Each study sets an ordered system, a rule or geometry, against the 
chance, deviation, and feeling that resist it, holding the two in tension. 
The work begins in hand-drawn geometry and moves into algorithmic structure, 
with color present from the outset as one of its materials rather than 
something added once the structure is settled.

When a palette drawn from a painting is placed within that system, the 
question becomes what survives the transition and what transforms into 
something new. Sometimes proportion carries through; in other studies it is 
contrast, recurrence, balance, or pause. The aim is not imitation, but 
inquiry.

	 <https://link.sbstck.com/redirect/4c085511-b413-4346-91f1-8bcaf7fa5b8d?j=eyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY>
From the drawing system of Meditations in Color
	 <https://link.sbstck.com/redirect/4d709e6d-b1a8-4415-8738-8cbfd8287c9d?j=eyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY>
Source painting, Helios and Rhodes by Frederic Leighton (1869)

The Drawing System 
<https://link.sbstck.com/redirect/68b0cb98-a7f2-418a-baa4-c0718328b2a2?j=eyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY> 
allows visitors to work with those palettes directly. It offers 
artist-derived palettes as chromatic interpretations within Pixel Symphony’s 
algorithmic structures, while also leaving room for users to adapt palettes 
for their own experiments and, over time, build palettes of their own. In 
the longer term, he hopes the framework can become a scaffold through which 
other artists contribute their own studies to the platform.

For Pixel Symphony, it is both a surrender and a study: a surrender to the 
beauty and instability of color, and a study of how it survives 
transformation through structure and variation.

What he is ultimately working toward is a living record of how color has 
been used, one capable of holding patterns across centuries, changes in 
available pigments and materials, and shifts in how visual culture organizes 
color over time. The archive and the Drawing System are two parts of that 
same larger undertaking.

	 <https://link.sbstck.com/redirect/d370031b-b32d-411b-87e9-7a6db77d9daa?j=eyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY>
From the Facets drawing system using the palette of Amrita Sher-Gil’s Red 
Verandah, Simla (1938).
	 <https://link.sbstck.com/redirect/ec33415c-e359-4077-b3f9-c2c04014b31e?j=eyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY>
A palette of reds, oranges and yellow drawn from Amrita Sher-Gil’s Red 
Verandah, Simla (1938).

SuperRare is excited to present Meditations in Color by Pixel Symphony.

For this release, Pixel Symphony curated 200 works that felt alive as 
meditations in themselves. Some hold the memory of a painting through only a 
few tones. Some become architectural, atmospheric, almost textile. Others 
remain close to a single register: a rhythm, a temperature, or a field held 
steady.

In choosing palettes, there is naturally an emphasis on artists whose use of 
color has shaped the way he sees, artists who became building blocks for his 
own eye. But the archive is also a resource for uniqueness, a place where 
one can be endlessly inventive. In curating these works, he sought to draw 
out that inventiveness and the openness that color so readily invites.

This release is a way of opening that practice outward: 200 works drawn from 
a much larger archive of looking, studying, and drawing with color. The 
range spans the fifteenth through the twentieth century, with the 
Renaissance, the Romantics, the Impressionists, the Expressionists, and the 
Abstract Expressionists all leaving their mark on the palettes.

Coming to SuperRare on June 10.





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<https://email.mg-d0.substack.com/o/eJw00EuO5CAMxvHTNLuJDA6QXnCWyIBTjSaBiEeVMqcf1aO3n6Wf_nKgzrdSL3eW1kV0BmnTUbCTdgFEacEIPijt640zV-ocV-q_V_O9GLTix5GRngG02tBLtXljvzVLCkEj6kVpkZwCZcCAlAZR6wkntWze2xkA5IzK09cMx-1PhKkN3zqFv1Moh0ht3Sq_Elyvg8UzdKURE-fAju9cr5I_c4pOvbjF2vfSr5Nd5kfbuXeu4hx-DeU4Rk79WjmT3zl-4OH3FKinkp-QBY1glKiO87_yNUP7KY8t7fzKasPHclDKro2Ta6XKO_km-vuRo3F9IhJRmcUYKe5O_Q8AAP__4DN4Cw>

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}
@media (max-width: 650px) {
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}
@media (max-width: 650px) {
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}
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}
@media (max-width: 420px) {
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img.install-substack-app-embed-img {
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}
@media (max-width: 420px) {
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.install-substack-app-embed-text {
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}
@media (max-width: 420px) {
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}
@media screen and (max-width: 420px) {
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.subscription-discount {
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@media (max-width: 650px) {
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}
@media screen and (max-width: 650px) {
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@media screen and (max-width: 650px) {
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@media screen and (max-width: 650px) {
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@media screen and (max-width: 650px) {
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@media (min-width: 250px) {
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}
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}</style></head><body class=3D"email-body" style=3D"font-kerning: =
auto;--image-offset-margin: -120px;"><img =
src=3D"https://eotrx.substackcdn.com/o/4c87c2f1c63686fb/p.gif?token=3DeyJ=
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style=3D"display:none;font-size:1px;color:#333333;line-height:1px;max-hei=
ght:0px;max-width:0px;opacity:0;overflow:hidden;">A living study of =
color in use, across time</div><div class=3D"preview" =
style=3D"display:none;font-size:1px;color:#333333;line-height:1px;max-hei=
ght:0px;max-width:0px;opacity:0;overflow:hidden;">&#847; &nbsp; &#8199; =
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&#173;&#847; &nbsp; &#8199; &#173;&#847; &nbsp; &#8199; &#173;&#847; =
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&#173;&#847; &nbsp; &#8199; &#173;&#847; &nbsp; &#8199; &#173;&#847; =
&nbsp; &#8199; &#173;&#847; &nbsp; &#8199; &#173;&#847; &nbsp; &#8199; =
&#173;&#847; &nbsp; &#8199; &#173;&#847; &nbsp; &#8199; &#173;&#847; =
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&#173;&#847; &nbsp; &#8199; &#173;&#847; &nbsp; &#8199; &#173;&#847; =
&nbsp; &#8199; &#173;&#847; &nbsp; &#8199; &#173;</div><table =
class=3D"email-body-container" role=3D"presentation" width=3D"100%" =
border=3D"0" cellspacing=3D"0" cellpadding=3D"0"><tbody><tr><td></td><td =
class=3D"content" width=3D"550"></td><td></td></tr><tr><td></td><td =
class=3D"content" width=3D"550" align=3D"left"><div style=3D"font-size: =
16px;line-height: 26px;max-width: 550px;width: 100%;margin: 0 =
auto;overflow-wrap: break-word;"><table role=3D"presentation" =
width=3D"100%" border=3D"0" cellspacing=3D"0" =
cellpadding=3D"0"><tbody><tr><td align=3D"right" =
style=3D"height:20px;"><table role=3D"presentation" width=3D"auto" =
border=3D"0" cellspacing=3D"0" cellpadding=3D"0"><tbody><tr><td =
style=3D"vertical-align:middle;"><span class=3D"pencraft pc-reset =
reset-IxiVJZ tw-font-body tw-text-ssm tw-text-substack-secondary" =
style=3D"font-family: SF Pro Text, -apple-system, system-ui, =
BlinkMacSystemFont, Inter, Segoe UI, Roboto, Helvetica, Arial, =
sans-serif, Apple Color Emoji, Segoe UI Emoji, Segoe UI =
Symbol;font-size: 13px;color: unset;list-style: none;text-decoration: =
unset;margin: 0;"><div class=3D"pencraft pc-reset align-right-VJbKw5 =
size-12-mmZ61m reset-IxiVJZ" style=3D"list-style: none;color: =
unset;text-align: right;font-size: 12px;line-height: =
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align=3D"center" style=3D"text-align: center;padding: 0;"><a =
href=3D"https://substack.com/redirect/2/eyJlIjoiaHR0cHM6Ly9zdXBlcnJhcmVsY=
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etXzdNWiRPCkPTXfWMKxx34?"><img class=3D"header-image" =
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rgb(54,55,55);font-family: 'SF Pro =
Display',-apple-system-headline,system-ui,-apple-system,BlinkMacSystemFon=
t,'Segoe UI',Roboto,Helvetica,Arial,sans-serif,'Apple Color =
Emoji','Segoe UI Emoji','Segoe UI Symbol';font-weight: =
bold;-webkit-font-smoothing: antialiased;-moz-osx-font-smoothing: =
antialiased;-webkit-appearance: optimizelegibility;-moz-appearance: =
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36px;font-size: 32px;"><a =
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id=3D200143877&utm_source=3Dpost-email-title&utm_campaign=3Demail-post-ti=
tle&isFreemail=3Dtrue&r=3D27cer9&token=3DeyJ1c2VyX2lkIjoxMzMyNjg2NjEsInBv=
c3RfaWQiOjIwMDE0Mzg3NywiaWF0IjoxNzgwMzMxNjk3LCJleHAiOjE3ODI5MjM2OTcsImlzc=
yI6InB1Yi03MDUzMDYyIiwic3ViIjoicG9zdC1yZWFjdGlvbiJ9.ICdkRMEgk4erKTjivkgjp=
s-CV9T5XcJspJQZSES7UE4" style=3D"color: rgb(54,55,55);text-decoration: =
none;">Meditations in Color by Pixel Symphony</a></h1><h3 =
class=3D"subtitle subtitle-HEEcLo" dir=3D"auto" style=3D"direction: =
auto;text-align: start;unicode-bidi: isolate;font-family: 'SF Pro =
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optimizelegibility;appearance: optimizelegibility;margin: 4px 0 0;color: =
#777777;line-height: 24px;font-size: 18px;margin-top: 12px;">A living =
study of color in use, across time </h3><table class=3D"post-meta" =
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href=3D"https://substack.com/@superrarelabs">SuperRare</a></div></td></tr=
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0 20px 0;color: rgb(54,55,55);line-height: 26px;font-size: =
16px;"><strong>Meditations in Color</strong><span>: </span><a =
href=3D"https://link.sbstck.com/redirect/bfb2da40-4679-4d94-a3bd-fe371633=
4726?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY"=
 style=3D"color: rgb(54,55,55);text-decoration: =
underline;">https://meditationsincolor.com/</a></p><p style=3D"margin: 0 =
0 20px 0;color: rgb(54,55,55);line-height: 26px;font-size: 16px;">A =
digital archive, research platform, and generative practice studying how =
artists work with color across time and how chromatic intelligence can =
carry into new forms.</p><h2 class=3D"header-anchor-post" =
style=3D"position: relative;font-family: 'SF Pro =
Display',-apple-system-headline,system-ui,-apple-system,BlinkMacSystemFon=
t,'Segoe UI',Roboto,Helvetica,Arial,sans-serif,'Apple Color =
Emoji','Segoe UI Emoji','Segoe UI Symbol';font-weight: =
bold;-webkit-font-smoothing: antialiased;-moz-osx-font-smoothing: =
antialiased;-webkit-appearance: optimizelegibility;-moz-appearance: =
optimizelegibility;appearance: optimizelegibility;margin: 1em 0 0.625em =
0;color: rgb(54,55,55);line-height: 1.16em;font-size: calc(1.625em * =
1);"><strong>On Color</strong></h2><p style=3D"margin: 0 0 20px 0;color: =
rgb(54,55,55);line-height: 26px;font-size: 16px;">Meditations in Color =
began with a studio question: how do artists actually work with color =
when viewed across an entire body of work, rather than through a handful =
of familiar images?</p><p style=3D"margin: 0 0 20px 0;color: =
rgb(54,55,55);line-height: 26px;font-size: 16px;">Above all, Pixel =
Symphony wanted it to become a place to come and meditate in color. In =
the absence of a coherent collection that allows viewers to sit with an =
artist&#8217;s chromatic life within a single field of attention, he =
began building the place he wanted for himself, as well as for friends =
and acquaintances who had long wished for it too: somewhere to =
experience Matisse&#8217;s colors across his works, or Bonnard&#8217;s, =
or Morandi&#8217;s, as fully as possible in one place.</p><div =
class=3D"captioned-image-container-static" style=3D"font-size: =
16px;line-height: 26px;margin: 32px auto;"><figure style=3D"width: =
100%;margin: 0 auto;"><table class=3D"image-wrapper" width=3D"100%" =
border=3D"0" cellspacing=3D"0" cellpadding=3D"0" =
data-component-name=3D"Image2ToDOMStatic" style=3D"mso-padding-alt: 1em =
0 1.6em;"><tbody><tr><td style=3D"text-align: center;"></td><td =
class=3D"content" align=3D"left" width=3D"1200" style=3D"text-align: =
center;"><a class=3D"image-link" target=3D"_blank" =
href=3D"https://link.sbstck.com/redirect/2b04ef1a-0fa0-4d82-a28f-55ba4d64=
095e?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY"=
 style=3D"position: relative;flex-direction: column;align-items: =
center;padding: 0;width: auto;height: auto;border: none;text-decoration: =
none;display: block;margin: 0;"><img class=3D"wide-image" =
data-attrs=3D"{&quot;src&quot;:&quot;https://substack-post-media.s3.amazo=
naws.com/public/images/87fdd1de-b5c2-4f15-bca2-330a71746de9_1200x676.jpeg=
&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;=
imageSize&quot;:null,&quot;height&quot;:676,&quot;width&quot;:1200,&quot;=
resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;Image=
&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:null=
,&quot;belowTheFold&quot;:false,&quot;topImage&quot;:false,&quot;internal=
Redirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:null=
,&quot;offset&quot;:false}" alt=3D"Image" title=3D"Image" width=3D"550" =
height=3D"309.8333333333333" =
src=3D"https://substackcdn.com/image/fetch/$s_!9Bj1!,w_1100,c_limit,f_aut=
o,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.a=
mazonaws.com%2Fpublic%2Fimages%2F87fdd1de-b5c2-4f15-bca2-330a71746de9_120=
0x676.jpeg" style=3D"border: none !important;vertical-align: =
middle;display: block;-ms-interpolation-mode: bicubic;height: =
auto;margin-bottom: 0;width: auto !important;max-width: 100% =
!important;margin: 0 auto;"></a></td><td style=3D"text-align: =
center;"></td></tr></tbody></table></figure></div><p style=3D"margin: 0 =
0 20px 0;color: rgb(54,55,55);line-height: 26px;font-size: 16px;">What =
interests him is not color symbolism alone, but color in use: how it =
holds form, creates rhythm, establishes pressure, sets distance, and =
continues to operate even as subject matter, medium, and composition =
change around it. He returns to artworks for instruction and =
companionship, but also to understand how color behaves once attention =
remains with the surface itself.</p><p style=3D"margin: 0 0 20px =
0;color: rgb(54,55,55);line-height: 26px;font-size: 16px;">This is what =
anchors the project. It treats color not as an accessory to form, but as =
one of the ways form itself is made.</p><div =
class=3D"captioned-image-container-static" style=3D"font-size: =
16px;line-height: 26px;margin: 32px auto;"><figure style=3D"width: =
100%;margin: 0 auto;"><table class=3D"image-wrapper" width=3D"100%" =
border=3D"0" cellspacing=3D"0" cellpadding=3D"0" =
data-component-name=3D"Image2ToDOMStatic" style=3D"mso-padding-alt: 1em =
0 1.6em;"><tbody><tr><td style=3D"text-align: center;"></td><td =
class=3D"content" align=3D"left" width=3D"1080" style=3D"text-align: =
center;"><a class=3D"image-link" target=3D"_blank" =
href=3D"https://link.sbstck.com/redirect/3831c8b9-1140-49e1-8466-bf76fd2f=
8194?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY"=
 style=3D"position: relative;flex-direction: column;align-items: =
center;padding: 0;width: auto;height: auto;border: none;text-decoration: =
none;display: block;margin: 0;"><img class=3D"wide-image" =
data-attrs=3D"{&quot;src&quot;:&quot;https://substack-post-media.s3.amazo=
naws.com/public/images/176e7f2e-a2a0-45ca-b52e-9d61e8511f87_1080x1350.jpe=
g&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot=
;imageSize&quot;:null,&quot;height&quot;:1350,&quot;width&quot;:1080,&quo=
t;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;Ima=
ge&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:nu=
ll,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;interna=
lRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:nul=
l,&quot;offset&quot;:false}" alt=3D"Image" title=3D"Image" width=3D"550" =
height=3D"687.5" =
src=3D"https://substackcdn.com/image/fetch/$s_!Hk5d!,w_1100,c_limit,f_aut=
o,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.a=
mazonaws.com%2Fpublic%2Fimages%2F176e7f2e-a2a0-45ca-b52e-9d61e8511f87_108=
0x1350.jpeg" style=3D"border: none !important;vertical-align: =
middle;display: block;-ms-interpolation-mode: bicubic;height: =
auto;margin-bottom: 0;width: auto !important;max-width: 100% =
!important;margin: 0 auto;"></a></td><td style=3D"text-align: =
center;"></td></tr></tbody></table><figcaption class=3D"image-caption" =
style=3D"box-sizing: content-box;color: rgb(119,119,119);font-size: =
14px;line-height: 20px;font-weight: 400;letter-spacing: =
-.15px;margin-top: 8px;width: 70%;padding-left: 15%;padding-right: =
15%;text-align: center;">The palette of Paul Signac&#8217;s Capo di =
Noli, Near Genoa, 1898.</figcaption></figure></div><h2 =
class=3D"header-anchor-post" style=3D"position: relative;font-family: =
'SF Pro =
Display',-apple-system-headline,system-ui,-apple-system,BlinkMacSystemFon=
t,'Segoe UI',Roboto,Helvetica,Arial,sans-serif,'Apple Color =
Emoji','Segoe UI Emoji','Segoe UI Symbol';font-weight: =
bold;-webkit-font-smoothing: antialiased;-moz-osx-font-smoothing: =
antialiased;-webkit-appearance: optimizelegibility;-moz-appearance: =
optimizelegibility;appearance: optimizelegibility;margin: 1em 0 0.625em =
0;color: rgb(54,55,55);line-height: 1.16em;font-size: calc(1.625em * =
1);"><strong>On The Archive</strong></h2><p style=3D"margin: 0 0 20px =
0;color: rgb(54,55,55);line-height: 26px;font-size: 16px;">The project =
takes the form of a digital archive and research platform spanning =
artists from the fifteenth century to the present. For each artist, =
Pixel Symphony attempts to gather as much of the work as possible into =
one place, then build pages organized by palette, chromatic =
relationship, tonal range, and atmosphere.</p><p style=3D"margin: 0 0 =
20px 0;color: rgb(54,55,55);line-height: 26px;font-size: 16px;">The =
archive is not intended as an encyclopedia alone. It is meant as a place =
of looking. The goal is to make artists legible through their chromatic =
behavior: what recurs, what widens or narrows over time, which tones =
seem to structure an entire practice, and which colors continue to =
return as habits of seeing and making.</p><p style=3D"margin: 0 0 20px =
0;color: rgb(54,55,55);line-height: 26px;font-size: 16px;">The platform =
is also a resource. Artists, designers, students, and general audiences =
can compare palettes across entire bodies of work, draw from them =
directly for inspiration, and carry those lessons into their own =
practice.</p><div class=3D"captioned-image-container-static" =
style=3D"font-size: 16px;line-height: 26px;margin: 32px auto;"><figure =
style=3D"width: 100%;margin: 0 auto;"><table class=3D"image-wrapper" =
width=3D"100%" border=3D"0" cellspacing=3D"0" cellpadding=3D"0" =
data-component-name=3D"Image2ToDOMStatic" style=3D"mso-padding-alt: 1em =
0 1.6em;"><tbody><tr><td style=3D"text-align: center;"></td><td =
class=3D"content" align=3D"left" width=3D"1080" style=3D"text-align: =
center;"><a class=3D"image-link" target=3D"_blank" =
href=3D"https://link.sbstck.com/redirect/91e261bd-e708-449c-a396-189e9eae=
2722?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY"=
 style=3D"position: relative;flex-direction: column;align-items: =
center;padding: 0;width: auto;height: auto;border: none;text-decoration: =
none;display: block;margin: 0;"><img class=3D"wide-image" =
data-attrs=3D"{&quot;src&quot;:&quot;https://substack-post-media.s3.amazo=
naws.com/public/images/1addcb45-5d01-44ef-893b-4f6c73ab3ccf_1080x1350.jpe=
g&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot=
;imageSize&quot;:null,&quot;height&quot;:1350,&quot;width&quot;:1080,&quo=
t;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;Ima=
ge&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:nu=
ll,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;interna=
lRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:nul=
l,&quot;offset&quot;:false}" alt=3D"Image" title=3D"Image" width=3D"550" =
height=3D"687.5" =
src=3D"https://substackcdn.com/image/fetch/$s_!1zSU!,w_1100,c_limit,f_aut=
o,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.a=
mazonaws.com%2Fpublic%2Fimages%2F1addcb45-5d01-44ef-893b-4f6c73ab3ccf_108=
0x1350.jpeg" style=3D"border: none !important;vertical-align: =
middle;display: block;-ms-interpolation-mode: bicubic;height: =
auto;margin-bottom: 0;width: auto !important;max-width: 100% =
!important;margin: 0 auto;"></a></td><td style=3D"text-align: =
center;"></td></tr></tbody></table><figcaption class=3D"image-caption" =
style=3D"box-sizing: content-box;color: rgb(119,119,119);font-size: =
14px;line-height: 20px;font-weight: 400;letter-spacing: =
-.15px;margin-top: 8px;width: 70%;padding-left: 15%;padding-right: =
15%;text-align: center;">The palette of Wassily Kandinsky&#8217;s =
Several Circles (1926).</figcaption></figure></div><h2 =
class=3D"header-anchor-post" style=3D"position: relative;font-family: =
'SF Pro =
Display',-apple-system-headline,system-ui,-apple-system,BlinkMacSystemFon=
t,'Segoe UI',Roboto,Helvetica,Arial,sans-serif,'Apple Color =
Emoji','Segoe UI Emoji','Segoe UI Symbol';font-weight: =
bold;-webkit-font-smoothing: antialiased;-moz-osx-font-smoothing: =
antialiased;-webkit-appearance: optimizelegibility;-moz-appearance: =
optimizelegibility;appearance: optimizelegibility;margin: 1em 0 0.625em =
0;color: rgb(54,55,55);line-height: 1.16em;font-size: calc(1.625em * =
1);"><strong>On Structure and Generation</strong></h2><p =
style=3D"margin: 0 0 20px 0;color: rgb(54,55,55);line-height: =
26px;font-size: 16px;">Pixel Symphony&#8217;s own practice runs =
alongside the archive, and it is built on duality. Each study sets an =
ordered system, a rule or geometry, against the chance, deviation, and =
feeling that resist it, holding the two in tension. The work begins in =
hand-drawn geometry and moves into algorithmic structure, with color =
present from the outset as one of its materials rather than something =
added once the structure is settled.</p><p style=3D"margin: 0 0 20px =
0;color: rgb(54,55,55);line-height: 26px;font-size: 16px;">When a =
palette drawn from a painting is placed within that system, the question =
becomes what survives the transition and what transforms into something =
new. Sometimes proportion carries through; in other studies it is =
contrast, recurrence, balance, or pause. The aim is not imitation, but =
inquiry.</p><div class=3D"captioned-image-container-static" =
style=3D"font-size: 16px;line-height: 26px;margin: 32px auto;"><figure =
style=3D"width: 100%;margin: 0 auto;"><table class=3D"image-wrapper" =
width=3D"100%" border=3D"0" cellspacing=3D"0" cellpadding=3D"0" =
data-component-name=3D"Image2ToDOMStatic" style=3D"mso-padding-alt: 1em =
0 1.6em;"><tbody><tr><td style=3D"text-align: center;"></td><td =
class=3D"content" align=3D"left" width=3D"1456" style=3D"text-align: =
center;"><a class=3D"image-link" target=3D"_blank" =
href=3D"https://link.sbstck.com/redirect/4c085511-b413-4346-91f1-8bcaf7fa=
5b8d?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY"=
 style=3D"position: relative;flex-direction: column;align-items: =
center;padding: 0;width: auto;height: auto;border: none;text-decoration: =
none;display: block;margin: 0;"><img class=3D"wide-image" =
data-attrs=3D"{&quot;src&quot;:&quot;https://substack-post-media.s3.amazo=
naws.com/public/images/2b9169d3-753c-4dba-9645-e38c972fbda3_2048x2048.jpe=
g&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot=
;imageSize&quot;:null,&quot;height&quot;:1456,&quot;width&quot;:1456,&quo=
t;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;Ima=
ge&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:nu=
ll,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;interna=
lRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:nul=
l,&quot;offset&quot;:false}" alt=3D"Image" title=3D"Image" width=3D"550" =
height=3D"550" =
src=3D"https://substackcdn.com/image/fetch/$s_!hFt6!,w_1100,c_limit,f_aut=
o,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.a=
mazonaws.com%2Fpublic%2Fimages%2F2b9169d3-753c-4dba-9645-e38c972fbda3_204=
8x2048.jpeg" style=3D"border: none !important;vertical-align: =
middle;display: block;-ms-interpolation-mode: bicubic;height: =
auto;margin-bottom: 0;width: auto !important;max-width: 100% =
!important;margin: 0 auto;"></a></td><td style=3D"text-align: =
center;"></td></tr></tbody></table><figcaption class=3D"image-caption" =
style=3D"box-sizing: content-box;color: rgb(119,119,119);font-size: =
14px;line-height: 20px;font-weight: 400;letter-spacing: =
-.15px;margin-top: 8px;width: 70%;padding-left: 15%;padding-right: =
15%;text-align: center;">From the drawing system of Meditations in =
Color</figcaption></figure></div><div =
class=3D"captioned-image-container-static" style=3D"font-size: =
16px;line-height: 26px;margin: 32px auto;"><figure style=3D"width: =
100%;margin: 0 auto;"><table class=3D"image-wrapper" width=3D"100%" =
border=3D"0" cellspacing=3D"0" cellpadding=3D"0" =
data-component-name=3D"Image2ToDOMStatic" style=3D"mso-padding-alt: 1em =
0 1.6em;"><tbody><tr><td style=3D"text-align: center;"></td><td =
class=3D"content" align=3D"left" width=3D"1080" style=3D"text-align: =
center;"><a class=3D"image-link" target=3D"_blank" =
href=3D"https://link.sbstck.com/redirect/4d709e6d-b1a8-4415-8738-8cbfd828=
7c9d?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY"=
 style=3D"position: relative;flex-direction: column;align-items: =
center;padding: 0;width: auto;height: auto;border: none;text-decoration: =
none;display: block;margin: 0;"><img class=3D"wide-image" =
data-attrs=3D"{&quot;src&quot;:&quot;https://substack-post-media.s3.amazo=
naws.com/public/images/3bcc077e-e0cd-462c-a5e8-ba9b2bfc9cd6_1080x1350.jpe=
g&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot=
;imageSize&quot;:null,&quot;height&quot;:1350,&quot;width&quot;:1080,&quo=
t;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;Ima=
ge&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:nu=
ll,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;interna=
lRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:nul=
l,&quot;offset&quot;:false}" alt=3D"Image" title=3D"Image" width=3D"550" =
height=3D"687.5" =
src=3D"https://substackcdn.com/image/fetch/$s_!8CyT!,w_1100,c_limit,f_aut=
o,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.a=
mazonaws.com%2Fpublic%2Fimages%2F3bcc077e-e0cd-462c-a5e8-ba9b2bfc9cd6_108=
0x1350.jpeg" style=3D"border: none !important;vertical-align: =
middle;display: block;-ms-interpolation-mode: bicubic;height: =
auto;margin-bottom: 0;width: auto !important;max-width: 100% =
!important;margin: 0 auto;"></a></td><td style=3D"text-align: =
center;"></td></tr></tbody></table><figcaption class=3D"image-caption" =
style=3D"box-sizing: content-box;color: rgb(119,119,119);font-size: =
14px;line-height: 20px;font-weight: 400;letter-spacing: =
-.15px;margin-top: 8px;width: 70%;padding-left: 15%;padding-right: =
15%;text-align: center;">Source painting, Helios and Rhodes by Frederic =
Leighton (1869)</figcaption></figure></div><p style=3D"margin: 0 0 20px =
0;color: rgb(54,55,55);line-height: 26px;font-size: 16px;"><a =
href=3D"https://link.sbstck.com/redirect/68b0cb98-a7f2-418a-baa4-c0718328=
b2a2?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY"=
 style=3D"color: rgb(54,55,55);text-decoration: underline;">The Drawing =
System</a><span> allows visitors to work with those palettes directly. =
It offers artist-derived palettes as chromatic interpretations within =
Pixel Symphony&#8217;s algorithmic structures, while also leaving room =
for users to adapt palettes for their own experiments and, over time, =
build palettes of their own. In the longer term, he hopes the framework =
can become a scaffold through which other artists contribute their own =
studies to the platform.</span></p><p style=3D"margin: 0 0 20px 0;color: =
rgb(54,55,55);line-height: 26px;font-size: 16px;">For Pixel Symphony, it =
is both a surrender and a study: a surrender to the beauty and =
instability of color, and a study of how it survives transformation =
through structure and variation.</p><p style=3D"margin: 0 0 20px =
0;color: rgb(54,55,55);line-height: 26px;font-size: 16px;">What he is =
ultimately working toward is a living record of how color has been used, =
one capable of holding patterns across centuries, changes in available =
pigments and materials, and shifts in how visual culture organizes color =
over time. The archive and the Drawing System are two parts of that same =
larger undertaking.</p><div class=3D"captioned-image-container-static" =
style=3D"font-size: 16px;line-height: 26px;margin: 32px auto;"><figure =
style=3D"width: 100%;margin: 0 auto;"><table class=3D"image-wrapper" =
width=3D"100%" border=3D"0" cellspacing=3D"0" cellpadding=3D"0" =
data-component-name=3D"Image2ToDOMStatic" style=3D"mso-padding-alt: 1em =
0 1.6em;"><tbody><tr><td style=3D"text-align: center;"></td><td =
class=3D"content" align=3D"left" width=3D"1080" style=3D"text-align: =
center;"><a class=3D"image-link" target=3D"_blank" =
href=3D"https://link.sbstck.com/redirect/d370031b-b32d-411b-87e9-7a6db77d=
9daa?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY"=
 style=3D"position: relative;flex-direction: column;align-items: =
center;padding: 0;width: auto;height: auto;border: none;text-decoration: =
none;display: block;margin: 0;"><img class=3D"wide-image" =
data-attrs=3D"{&quot;src&quot;:&quot;https://substack-post-media.s3.amazo=
naws.com/public/images/21b6c895-b08c-40c1-9014-a88c37d525aa_1080x1350.jpe=
g&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot=
;imageSize&quot;:null,&quot;height&quot;:1350,&quot;width&quot;:1080,&quo=
t;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;Ima=
ge&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:nu=
ll,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;interna=
lRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:nul=
l,&quot;offset&quot;:false}" alt=3D"Image" title=3D"Image" width=3D"550" =
height=3D"687.5" =
src=3D"https://substackcdn.com/image/fetch/$s_!YyA0!,w_1100,c_limit,f_aut=
o,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.a=
mazonaws.com%2Fpublic%2Fimages%2F21b6c895-b08c-40c1-9014-a88c37d525aa_108=
0x1350.jpeg" style=3D"border: none !important;vertical-align: =
middle;display: block;-ms-interpolation-mode: bicubic;height: =
auto;margin-bottom: 0;width: auto !important;max-width: 100% =
!important;margin: 0 auto;"></a></td><td style=3D"text-align: =
center;"></td></tr></tbody></table><figcaption class=3D"image-caption" =
style=3D"box-sizing: content-box;color: rgb(119,119,119);font-size: =
14px;line-height: 20px;font-weight: 400;letter-spacing: =
-.15px;margin-top: 8px;width: 70%;padding-left: 15%;padding-right: =
15%;text-align: center;">From the Facets drawing system using the =
palette of Amrita Sher-Gil&#8217;s Red Verandah, Simla =
(1938).</figcaption></figure></div><div =
class=3D"captioned-image-container-static" style=3D"font-size: =
16px;line-height: 26px;margin: 32px auto;"><figure style=3D"width: =
100%;margin: 0 auto;"><table class=3D"image-wrapper" width=3D"100%" =
border=3D"0" cellspacing=3D"0" cellpadding=3D"0" =
data-component-name=3D"Image2ToDOMStatic" style=3D"mso-padding-alt: 1em =
0 1.6em;"><tbody><tr><td style=3D"text-align: center;"></td><td =
class=3D"content" align=3D"left" width=3D"1080" style=3D"text-align: =
center;"><a class=3D"image-link" target=3D"_blank" =
href=3D"https://link.sbstck.com/redirect/ec33415c-e359-4077-b3f9-c2c04014=
b31e?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY"=
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center;padding: 0;width: auto;height: auto;border: none;text-decoration: =
none;display: block;margin: 0;"><img class=3D"wide-image" =
data-attrs=3D"{&quot;src&quot;:&quot;https://substack-post-media.s3.amazo=
naws.com/public/images/353636de-6fa5-4d69-a40c-f3d6b29a4266_1080x1350.jpe=
g&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot=
;imageSize&quot;:null,&quot;height&quot;:1350,&quot;width&quot;:1080,&quo=
t;resizeWidth&quot;:null,&quot;bytes&quot;:null,&quot;alt&quot;:&quot;Ima=
ge&quot;,&quot;title&quot;:null,&quot;type&quot;:null,&quot;href&quot;:nu=
ll,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;interna=
lRedirect&quot;:null,&quot;isProcessing&quot;:false,&quot;align&quot;:nul=
l,&quot;offset&quot;:false}" alt=3D"Image" title=3D"Image" width=3D"550" =
height=3D"687.5" =
src=3D"https://substackcdn.com/image/fetch/$s_!WlSe!,w_1100,c_limit,f_aut=
o,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.a=
mazonaws.com%2Fpublic%2Fimages%2F353636de-6fa5-4d69-a40c-f3d6b29a4266_108=
0x1350.jpeg" style=3D"border: none !important;vertical-align: =
middle;display: block;-ms-interpolation-mode: bicubic;height: =
auto;margin-bottom: 0;width: auto !important;max-width: 100% =
!important;margin: 0 auto;"></a></td><td style=3D"text-align: =
center;"></td></tr></tbody></table><figcaption class=3D"image-caption" =
style=3D"box-sizing: content-box;color: rgb(119,119,119);font-size: =
14px;line-height: 20px;font-weight: 400;letter-spacing: =
-.15px;margin-top: 8px;width: 70%;padding-left: 15%;padding-right: =
15%;text-align: center;">A palette of reds, oranges and yellow drawn =
from Amrita Sher-Gil&#8217;s Red Verandah, Simla =
(1938).</figcaption></figure></div><p style=3D"margin: 0 0 20px 0;color: =
rgb(54,55,55);line-height: 26px;font-size: 16px;">SuperRare is excited =
to present Meditations in Color by Pixel Symphony. </p><p =
style=3D"margin: 0 0 20px 0;color: rgb(54,55,55);line-height: =
26px;font-size: 16px;">For this release, Pixel Symphony curated 200 =
works that felt alive as meditations in themselves. Some hold the memory =
of a painting through only a few tones. Some become architectural, =
atmospheric, almost textile. Others remain close to a single register: a =
rhythm, a temperature, or a field held steady.</p><p style=3D"margin: 0 =
0 20px 0;color: rgb(54,55,55);line-height: 26px;font-size: 16px;">In =
choosing palettes, there is naturally an emphasis on artists whose use =
of color has shaped the way he sees, artists who became building blocks =
for his own eye. But the archive is also a resource for uniqueness, a =
place where one can be endlessly inventive. In curating these works, he =
sought to draw out that inventiveness and the openness that color so =
readily invites.</p><p style=3D"margin: 0 0 20px 0;color: =
rgb(54,55,55);line-height: 26px;font-size: 16px;">This release is a way =
of opening that practice outward: 200 works drawn from a much larger =
archive of looking, studying, and drawing with color. The range spans =
the fifteenth through the twentieth century, with the Renaissance, the =
Romantics, the Impressionists, the Expressionists, and the Abstract =
Expressionists all leaving their mark on the palettes.</p><p =
style=3D"margin: 0 0 20px 0;color: rgb(54,55,55);line-height: =
26px;font-size: 16px;margin-bottom: 0;">Coming to SuperRare on June 10. =
</p></div></div><table class=3D"email-ufi-2-bottom" =
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