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https://www.seditionart.com/
New Collection
Laura Jean Healey
https://www.seditionart.com/
Laura Jean Healey (b. 1983) uses new and emerging digital film technologie=
s to explore the nature of the cinematic experience. In particular=2C her=
work examines the role and objectification of the female form within the=
screen=2C the inherent paradoxical nature of cinema exhibition and the de=
sire it raises within the spellbound spectator.
Follow Laura Jean Healey (https://www.seditionart.com/laura-jean-healey)
https://www.seditionart.com/laura-jean-healey/collection/the-(un)holy-trin=
ity
Laura Jean Healey
The (Un)Holy Trinity
View Collection (https://www.seditionart.com/laura-jean-healey/collection/=
the-(un)holy-trinity)
Following on from her award-winning project=2C The Siren - in which she ex=
amined the mythical female figure - Laura Jean Healey now dives further in=
to ancient legend to explore the biblical notion of the =E2=80=98fallen wo=
man=E2=80=99.
The (Un)Holy Trinity draws inspiration from three from three legendary =E2=
=80=98unnatural women=E2=80=99: Eve=2C Lilith and Salome - who through the=
ir supposedly unnatural acts of defiance=2C aggression=2C or desire for au=
tonomy - have been demonised throughout history to serve as a warning as t=
o how disruptive and destructive female sexuality can be if left unchecked=
=2E
Working in collaboration with Sedition=2C The (Un)Holy Trinity was launche=
d on the 8th March to celebrate International Woman=E2=80=99s Day 2020.
Related
News
https://www.seditionart.com/sedition/posts/the-un-holy-trinity-laura-jean-=
healey
The making of The (Un)Holy Trinity
A recent news article in the Sedition magazine gives insight into the idea=
s=2C techniques and inspirations behind Laura Jean Healey's new video trip=
tych The {Un}Holy Trinity. Drawing together traditional and contemporary i=
nfluences and techniques=2C Healey tells the story of three biblical women=
- Eve=2C Lilith and Salome - who navigated their own paths through life=
=2C and suffered in an uncomprehending society as a consequence.
Find out more (https://www.seditionart.com/sedition/posts/the-un-holy-trin=
ity-laura-jean-healey)
Facebook (https://fb.me/seditionart) Twitter (https://twitter.com/sedition=
art) Instagram (https://www.instagram.com/seditionart)
Turn screens into art.=E2=84=A2
=C2=A9 Sedition Ltd.
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<p style=3D"font-size:inherit;margin:0;p=
adding:0;">Laura Jean Healey (b. 1983) uses new and emerging digital film=
technologies to explore the nature of the cinematic experience. In partic=
ular=2C her work examines the role and objectification of the female form=
within the screen=2C the inherent paradoxical nature of cinema exhibition=
and the desire it raises within the spellbound spectator. </p>
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Laura Jean Healey
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The (Un)Holy Trinity
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<td class=3D"content-body" style=3D"color:#11111=
6;font-family:georgia=2C serif;font-size:16px;font-weight:normal;line-heig=
ht:24px;padding:0 0 12px;">
<p style=3D"font-size:inherit;margin:0 0 24px;=
padding:0;">Following on from her award-winning project=2C <em>The Siren</=
em> - in which she examined the mythical female figure - Laura Jean Healey=
now dives further into ancient legend to explore the biblical notion of t=
he =E2=80=98fallen woman=E2=80=99. </p>
<p style=3D"font-size:inherit;margin:0 0 24px;=
padding:0;"><em>The (Un)Holy Trinity</em> draws inspiration from three fro=
m three legendary =E2=80=98unnatural women=E2=80=99: Eve=2C Lilith and Sal=
ome - who through their supposedly unnatural acts of defiance=2C aggressio=
n=2C or desire for autonomy - have been demonised throughout history to se=
rve as a warning as to how disruptive and destructive female sexuality can=
be if left unchecked. </p>
<p style=3D"font-size:inherit;margin:0;padding=
:0;">Working in collaboration with Sedition=2C <em>The (Un)Holy Trinity</e=
m> was launched on the 8th March to celebrate International Woman=E2=80=99=
s Day 2020. </p>
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rs.s3.amazonaws.com/new_artwork/new_artwork_laura_jean_healey_2020_02_28/b=
ts5.JPG" style=3D"border: 0; color: #111116; display: block; font-family:=
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r-subtitle mobile-row" style=3D"color:#111116;font-family:Din=2C 'Helvetic=
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The making of The (Un)Holy Trinity
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<![endif]-->
<table align=3D"center" border=3D"0" cellpadding=3D"0" c=
ellspacing=3D"0" class=3D"content-container table-wrapper" width=3D"100%"=
style=3D"border-collapse:collapse !important;max-width:640px;">
<tr>
<td align=3D"left" valign=3D"top">
<table border=3D"0" cellpadding=3D"0" cellspacing=
=3D"0" width=3D"100%" style=3D"border-collapse:collapse !important;">
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<td class=3D"content-body" style=3D"color:#111=
116;font-family:georgia=2C serif;font-size:16px;font-weight:normal;line-he=
ight:24px;padding:0 0 12px;">
<p style=3D"font-size:inherit;margin:0;paddi=
ng:0;">A recent news article in the Sedition magazine gives insight into t=
he ideas=2C techniques and inspirations behind Laura Jean Healey's new vid=
eo triptych <em>The {Un}Holy Trinity</em>. Drawing together traditional an=
d contemporary influences and techniques=2C Healey tells the story of thre=
e biblical women - Eve=2C Lilith and Salome - who navigated their own path=
s through life=2C and suffered in an uncomprehending society as a conseque=
nce. </p>
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