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Subject: What We Learned this Week (2338)
From: Artelligence <artelligence@substack.com>
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View this post on the web at https://artelligence.substack.com/p/what-we-le=
arned-this-week-2338
Welcome to Artelligence
This free Artelligence newsletter is published most Friday throughout the y=
ear. Additional newsletters analyzing auction data from LiveArt or featurin=
g our own reporting are for paid subscribers only.=20
Next week we=E2=80=99ll have a preview of the New York Mid-Season Contempor=
ary Sales along with data from Christie=E2=80=99s sales in Asia for paid su=
bscribers.=20
Subscriptions are $12 a month or $120 for a year. For organizations, we off=
er group discounts for 30% for each subscription of two or more. Sharing a =
newsletter on occasion is fine; consistently circumventing group subscripti=
ons is not.=C2=A0
There is also an option to get a 7-day free trial. Just choose the subscrip=
tion plan you want and click on the 7-day trial option before checkout.=C2=
=A0
Refer Friends or Colleagues for Free Subscription Time
You can now extend for free your subscription to Artelligence=E2=80=99s pai=
d posts by referring new subscribers to the paid content. Get a free month =
for two friends who subscribe; three months for five paid subscriptions; an=
d a full year free for 25 paid subscribers.
In This Issue
Lot Watch: A monumental Barbara Hepworth on offer at Christie=E2=80=99s in =
October
Christie=E2=80=99s Opens the Contemporary Art Auction Season in China: Sale=
s in Shanghai and Hong Kong will set prices for several market-driving arti=
sts
Wendi Norris Pops Up in Chelsea: San Francisco Surrealism dealer perches in=
Chelsea until Oct 7
Results: Christie=E2=80=99s South Asian Modern + Contemporary shows startli=
ng strength of bidding
The Spirit of Barkley Hendricks Inhabits the Frick: The Frick elevates its =
game with Barkely Hendricks show
Lot Watch
Barbara Hepworth
One of Barbara Hepworth=E2=80=99s few monumental works is coming to auction=
on October 18th in London at Christie=E2=80=99s. On view in St. James Park=
across from Christie=E2=80=99s until the auction, the 24-ft work is one of=
an edition of three. Christie=E2=80=99s will be offering the artist=E2=80=
=99s proof with a =C2=A36 million estimate that will put the selling price =
close to the record for the artist. One of the other examples of this work =
is owned by Cardiff University. A third example is on public display in Sea=
ttle owned by real estate developer Martin Selig. That work was purchased a=
t auction in 2006 for $1.46 million when the ExxonMobil Foundation sold the=
work. This example was once by Long Island Jewish Medical Center but sold =
to a private collector in 2007. It was previously offered for sale in 2015.=
=20
Christie=E2=80=99s Celebrates 10 Years in Mainland China with Sales in Shan=
ghai and Hong Kong
The first auctions in the global market for Contemporary art will take plac=
e on September 23rd and 24th at Christie=E2=80=99s in Shanghai and London. =
The sales are timed to mark Christie=E2=80=99s 10th anniversary trading in =
Mainland China. But they also inaugurate the Autumn auction season with lot=
s from Yayoi Kusama, Zao Wou-ki, Javier Calleja, Francis Picabia, Eddie Mar=
tinez, Maria B=C3=A9rrio, Liu Ye, Yoshitomo Nara and others. We=E2=80=99ll =
try to have results next week before the New York mid-season sales but even=
though these auctions are off-season they will be watched to gauge estimat=
es and demand.=20
Wendi Norris Pops Up in Chelsea
Wendi Norris Gallery, the influential dealer in Surrealism, has opened a po=
p-up location on 20th Street in New York until October 7th featuring a dual=
show of Alice Rahon, the Surrealist painter, and Ranu Mukherjee titled Tim=
e Warriors [ https://substack.com/redirect/de41a4ba-57bf-4493-afd8-7bfa2430=
495e?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY ].=
Rahon, who was born in France at the turn of the 20th century and died in =
Mexico in 1987, was inspired by indigenous art and used natural materials i=
n her compositions. Mukherjee, who was born in 1966, makes art concerned wi=
th climate change and environmental degradation. Both use dream-like compos=
itions to engage with ideas of India, Indian culture and concepts of being =
and time.=20
The show opens on the heels of a Summer show of the work of Remedios Varo t=
imed to coincide with the Art Institute of Chicago=E2=80=99s current Varos =
exhibition., Science Fictions.=20
Results
Christie=E2=80=99s South Asian Modern & Contemporary =3D $11m
Christie=E2=80=99s South Asian Modern & Contemporary art sale held within N=
ew York=E2=80=99s Asia Week was unexpectedly strong. More than two thirds o=
f the lots were bid over the estimate range. The sale total was only $11 mi=
llion. But it was dominated by works by M.F. Husain, Sayed Haider Raza and =
Francis Newton Souza.=20
All but one of the 12 Souza=E2=80=99s were sold for prices well above the e=
stimate range. Taken together, the Newton=E2=80=99s achieved prices three t=
imes the estimates. Seven Razas were sold with an average hammer ratio of n=
early three times the estimates. The eleven Husain works offered had slight=
ly more muted bidding only making twice the estimates.=20
The top ten lots with the most intense bidding only have a single work by R=
aza, Husain and Souza. Remarkably, all of the lots with the most aggressive=
bidding had estimates below $50,000 suggesting the market for South Asian =
Modern Artists is only beginning to build momentum.=20
The Spirit of Barkley Hendricks Inhabits The Frick
Not long after the Summer of rage and dismay surrounding the death of Georg=
e Floyd, Aimee Ng, a curator at The Frick, and Antwaun Sargent, a freelance=
writer, curator and influential voice on Twitter, who had recently become =
a director at Gagosian, got together to talk about ideas.=C2=A0
The burning question then for museums in general=E2=80=94and the culture in=
dustry more broadly=E2=80=94was one of representation. At the meeting, Sarg=
ent suggested The Frick think about doing a show of portraits by Barkley He=
ndricks. Two years later that show has opened and the result is far more th=
an Ng, The Frick or any of us might have imagined.=C2=A0
The idea for the show itself is one of those revelations that seems obvious=
in retrospect even though it was audacious to imagine. Hendricks was activ=
ely engaged with European art as he learned his craft. The Frick was a muse=
um he treasured and plundered for ideas. Hendricks wasn=E2=80=99t a familia=
r name to Ng but that=E2=80=99s more because of her background in Italian R=
enaissance art.=C2=A0
Ng was hardly alone. For nearly a decade leading up to his death in 2017, H=
endricks=E2=80=99s work had been climbing the auction market. A graduate of=
Yale=E2=80=99s MFA program who taught at Connecticut College, Hendricks ha=
d stopped making portraits 40 years ago. He had other ideas to pursue. some=
of which have been shown to great effect at Jack Shainman in recent years.=
=C2=A0
In 2008, Trevor Schoonmaker organized Barkley L. Hendricks: Birth of the Co=
ol at the Nasher, the first retrospective of Hendricks work. In 2017, the y=
ear Hendricks died, the portraits again played a pivotal role in Soul of a =
Nation: Art in the Age of Black Power. During the same period, the portrait=
s began trading on the auction market. First they made prices in the six fi=
gures at Swann Galleries, including the $365,000 paid for Stevie from 1976 =
featured in The Frick show. Then they made million-dollar prices at Phillip=
s, Sotheby=E2=80=99s and Christie=E2=80=99s. In 2020, one work was said to =
have been sold privately for $14 million. Whether that=E2=80=99s true, pric=
es for the portraits topped out earlier this year when Stanley from 1971 ma=
de $6.1 million.=C2=A0=C2=A0
Success at auction isn=E2=80=99t a substitute for recognition beyond the ma=
rket. But Hendricks had been found by museums long before. Almost immediate=
ly after framing his Yale MFA, the National Gallery acquired two of his por=
traits in 1973. The Frick show further demonstrates that Hendricks has long=
had institutional support with works borrowed from the Studio Museum in Ha=
rlem, Virginia Museum of Fine Art, The Philadelphia Museum of Art, Harvard =
Art Museums, Nasher Museum of Art, Whitney Museum, Chrysler Museum and Yale=
University Art Gallery.
Hendricks' portraits are also owned by influential collectors like George E=
conomou and important figures in the entertainment industry like Jimmy Iovi=
ne, Ben Silverman and Shawn Carter.=C2=A0=C2=A0=C2=A0=C2=A0
In her essay for the show=E2=80=99s catalog, Aimee Ng emphasizes the import=
ance of Hendricks=E2=80=99s work in bridging the structured societies of th=
e Old Masters and our emphasis on individuals and their individuality. Havi=
ng his work hang at The Frick is a tribute to Hendricks=E2=80=99s interest =
in European art and his aspiration to take the lessons of European artists =
and apply them to ordinary folks who caught his eye. At the Frick, the Hend=
ricks portraits hang adjacent to an alcove of Whistler society portraits em=
phasizing the fact that Hendricks=E2=80=99s community is no less concerned =
with public persona than Whister=E2=80=99s society.
Within the exhibition, the curators created a chapel-like room of five work=
s each depicting figures dressed in white against a white ground. These =E2=
=80=9Climited palette=E2=80=9D paintings contain worlds but also the curato=
rs have succeeded in creating a temporary world within the world of Hendric=
ks that is both contemplative and devotional.=C2=A0
Going beyond the idea of unity in opposition, Ng and Sargent have staged a =
show that is far greater than its elegant premise.=C2=A0
Concluding their talk at the press preview=E2=80=94judging from Instagram t=
he need for formal press was superfluous as the social media platform quick=
ly filled with stills from the exhibition on opening day=E2=80=94Ng pointed=
out that although The Frick was proud to be presenting a Black artist, see=
ing Hendricks=E2=80=99s work in the context of portraitists like Whistler, =
Velazquez and van Dyck showed him to be an artist first and foremost.=C2=A0
His widow, standing in the middle of the room unnoticed though also present=
in a life-sized portrait too, was visibly moved. .
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</style></head><body class=3D"email-body" style=3D"font-kerning: auto;"><im=
g src=3D"https://eotrx.substackcdn.com/open?token=3DeyJtIjoiPDIwMjMwOTIyMTI=
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x;opacity:0;overflow:hidden;" class=3D"preview">Barkley Hendricks at The Fr=
ick + South Asian Modern Art Jump Starts at Christie's + A Big Barbara Hepw=
orth  ‌ ‌ ‌ ‌ ‌ =
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gn: center;"><a href=3D"https://substack.com/redirect/2/eyJlIjoiaHR0cHM6Ly9=
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yle=3D"font-size: 16px; line-height: 26px;"><h1 class=3D"post-title publish=
ed" style=3D"-moz-appearance: optimizelegibility; -moz-osx-font-smoothing: =
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', Roboto, Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emo=
ji', 'Segoe UI Symbol'; font-size: 32px; font-weight: bold; line-height: 36=
px; margin: 0;"><a href=3D"https://substack.com/app-link/post?publication_i=
d=3D2259&post_id=3D137282932&utm_source=3Dpost-email-title&utm_campaign=3De=
mail-post-title&isFreemail=3Dtrue&r=3D27cer9&token=3DeyJ1c2VyX2lkIjoxMzMyNj=
g2NjEsInBvc3RfaWQiOjEzNzI4MjkzMiwiaWF0IjoxNjk1Mzg2NzUyLCJleHAiOjE2OTc5Nzg3N=
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liased; appearance: optimizelegibility; color: #808080; font-family: 'SF Co=
mpact Display', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Helv=
etica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI =
Symbol'; font-size: 18px; font-weight: normal; line-height: 24px; margin: 4=
px 0 0; margin-top: 12px;">Barkley Hendricks at The Frick + South Asian Mod=
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49MjdjZXI5JnI9MjdjZXI5JnV0bV9jYW1wYWlnbj1lbWFpbC1sZWFkZXJib2FyZCIsInAiOjEzN=
zI4MjkzMiwicyI6MjI1OSwiZiI6dHJ1ZSwidSI6MTMzMjY4NjYxLCJpYXQiOjE2OTUzODY3NTIs=
ImV4cCI6MTY5Nzk3ODc1MiwiaXNzIjoicHViLTAiLCJzdWIiOiJsaW5rLXJlZGlyZWN0In0.lc6=
PiueHiJ2uImHPMNTZ5kzYxEGrwPOOmmbTtAfOo18?&utm_source=3Dpost" rel style=3D"b=
ackground-color: #653366; border: none; border-radius: 6px; box-sizing: bor=
der-box; color: #ffffff !important; cursor: pointer; display: inline-block;=
font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Helvet=
ica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Sy=
mbol'; font-size: 14px; font-weight: 600; height: auto; line-height: 20px; =
margin: 0; opacity: 1; outline: none; padding: 12px 20px; text-align: cente=
r; text-decoration: none !important; white-space: nowrap;"><span style=3D"c=
olor: #ffffff; text-decoration: none;">Refer a friend</span></a></p><div st=
yle=3D"font-size: 16px; line-height: 26px;"><hr style=3D"background: #e0e0e=
0; border: none; height: 1px; margin: 32px 0; padding: 0;"></div><h2 class=
=3D"header-with-anchor-widget" style=3D"-moz-appearance: optimizelegibility=
; -moz-osx-font-smoothing: antialiased; -webkit-appearance: optimizelegibil=
ity; -webkit-font-smoothing: antialiased; appearance: optimizelegibility; c=
olor: rgb(64, 64, 64); font-family: 'SF Compact Display', -apple-system, Bl=
inkMacSystemFont, 'Segoe UI', Roboto, Helvetica, Arial, sans-serif, 'Apple =
Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol'; font-size: 1.625em; font=
-weight: bold; line-height: 1.16em; margin: 1em 0 0.625em 0; position: rela=
tive;">In This Issue</h2><ol style=3D"margin-top: 0; padding: 0;"><li style=
=3D"margin: 8px 0 0 32px;"><p style=3D"box-sizing: border-box; color: rgb(6=
4, 64, 64); font-size: 16px; line-height: 26px; margin: 0; margin-bottom: 0=
; padding-left: 4px;"><strong>Lot Watch: </strong><span>A monumental Barbar=
a Hepworth on offer at Christie’s in October</span></p></li><li style=
=3D"margin: 8px 0 0 32px;"><p style=3D"box-sizing: border-box; color: rgb(6=
4, 64, 64); font-size: 16px; line-height: 26px; margin: 0; margin-bottom: 0=
; padding-left: 4px;"><strong>Christie’s Opens the Contemporary Art A=
uction Season in China: </strong><span>Sales in Shanghai and Hong Kong will=
set prices for several market-driving artists</span></p></li><li style=3D"=
margin: 8px 0 0 32px;"><p style=3D"box-sizing: border-box; color: rgb(64, 6=
4, 64); font-size: 16px; line-height: 26px; margin: 0; margin-bottom: 0; pa=
dding-left: 4px;"><strong>Wendi Norris Pops Up in Chelsea: </strong><span>S=
an Francisco Surrealism dealer perches in Chelsea until Oct 7</span></p></l=
i><li style=3D"margin: 8px 0 0 32px;"><p style=3D"box-sizing: border-box; c=
olor: rgb(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0; margi=
n-bottom: 0; padding-left: 4px;"><strong>Results: </strong><span>Christie&#=
8217;s South Asian Modern + Contemporary shows startling strength of biddin=
g</span></p></li><li style=3D"margin: 8px 0 0 32px;"><p style=3D"box-sizing=
: border-box; color: rgb(64, 64, 64); font-size: 16px; line-height: 26px; m=
argin: 0; margin-bottom: 0; padding-left: 4px;"><strong>The Spirit of Barkl=
ey Hendricks Inhabits the Frick: </strong><span>The Frick elevates its game=
with Barkely Hendricks show</span></p></li></ol><div style=3D"font-size: 1=
6px; line-height: 26px;"><hr style=3D"background: #e0e0e0; border: none; he=
ight: 1px; margin: 32px 0; padding: 0;"></div><h2 class=3D"header-with-anch=
or-widget" style=3D"-moz-appearance: optimizelegibility; -moz-osx-font-smoo=
thing: antialiased; -webkit-appearance: optimizelegibility; -webkit-font-sm=
oothing: antialiased; appearance: optimizelegibility; color: rgb(64, 64, 64=
); font-family: 'SF Compact Display', -apple-system, BlinkMacSystemFont, 'S=
egoe UI', Roboto, Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe=
UI Emoji', 'Segoe UI Symbol'; font-size: 1.625em; font-weight: bold; line-=
height: 1.16em; margin: 1em 0 0.625em 0; position: relative;">Lot Watch</h2=
><h2 class=3D"header-with-anchor-widget" style=3D"-moz-appearance: optimize=
legibility; -moz-osx-font-smoothing: antialiased; -webkit-appearance: optim=
izelegibility; -webkit-font-smoothing: antialiased; appearance: optimizeleg=
ibility; color: rgb(64, 64, 64); font-family: 'SF Compact Display', -apple-=
system, BlinkMacSystemFont, 'Segoe UI', Roboto, Helvetica, Arial, sans-seri=
f, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol'; font-size: 1.6=
25em; font-weight: bold; line-height: 1.16em; margin: 1em 0 0.625em 0; posi=
tion: relative;">Barbara Hepworth</h2><div class=3D"captioned-image-contain=
er-static" style=3D"font-size: 16px; line-height: 26px; margin: 32px auto;"=
><figure style=3D"margin: 0 auto; width: 100%;"><table class=3D"image-wrapp=
er" width=3D"100%" border=3D"0" cellspacing=3D"0" cellpadding=3D"0" data-co=
mponent-name=3D"Image2ToDOMStatic" style=3D"mso-padding-alt: 1em 0 1.6em;">=
<tbody><tr><td style=3D"text-align: center;"></td><td align=3D"left" class=
=3D"content" width=3D"1456" style=3D"text-align: center;"><a class=3D"image=
-link" target=3D"_blank" href=3D"https://substack.com/redirect/ebb9d650-96c=
a-48aa-a8b3-9d2156f9fa1a?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRni=
gHXx6Fx_g6pp7gWdY" rel style=3D"align-items: center; border: none; display:=
block; flex-direction: column; height: auto; margin: 0; padding: 0; positi=
on: relative; text-decoration: none; width: auto;"><img data-attrs=3D"{&quo=
t;src":"https://substack-post-media.s3.amazonaws.com/public/image=
s/f617b5fd-4d5d-41bd-ad71-a1a4505ee450_2000x1333.jpeg","srcNoWate=
rmark":null,"fullscreen":null,"imageSize":null,&qu=
ot;height":970,"width":1456,"resizeWidth":null,&qu=
ot;bytes":1555070,"alt":null,"title":null,"ty=
pe":"image/jpeg","href":null,"belowTheFold&qu=
ot;:true,"topImage":false,"internalRedirect":null}" alt=
width=3D"550" height=3D"366.41483516483515" class=3D"wide-image" src=3D"ht=
tps://substackcdn.com/image/fetch/w_2912,c_limit,f_auto,q_auto:good,fl_prog=
ressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2=
Fimages%2Ff617b5fd-4d5d-41bd-ad71-a1a4505ee450_2000x1333.jpeg" style=3D"-ms=
-interpolation-mode: bicubic; border: none !important; display: block; heig=
ht: auto; margin: 0 auto; margin-bottom: 0; max-width: 100% !important; ver=
tical-align: middle; width: auto !important;"></a></td><td style=3D"text-al=
ign: center;"></td></tr></tbody></table></figure></div><p style=3D"color: r=
gb(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0 0 20px 0;">On=
e of Barbara Hepworth’s few monumental works is coming to auction on =
October 18th in London at Christie’s. On view in St. James Park acros=
s from Christie’s until the auction, the 24-ft work is one of an edit=
ion of three. Christie’s will be offering the artist’s proof wi=
th a £6 million estimate that will put the selling price close to the =
record for the artist. One of the other examples of this work is owned by C=
ardiff University. A third example is on public display in Seattle owned by=
real estate developer Martin Selig. That work was purchased at auction in =
2006 for $1.46 million when the ExxonMobil Foundation sold the work. This e=
xample was once by Long Island Jewish Medical Center but sold to a private =
collector in 2007. It was previously offered for sale in 2015. </p><div sty=
le=3D"font-size: 16px; line-height: 26px;"><hr style=3D"background: #e0e0e0=
; border: none; height: 1px; margin: 32px 0; padding: 0;"></div><h4 class=
=3D"header-with-anchor-widget" style=3D"-moz-appearance: optimizelegibility=
; -moz-osx-font-smoothing: antialiased; -webkit-appearance: optimizelegibil=
ity; -webkit-font-smoothing: antialiased; appearance: optimizelegibility; c=
olor: rgb(64, 64, 64); font-family: 'SF Compact Display', -apple-system, Bl=
inkMacSystemFont, 'Segoe UI', Roboto, Helvetica, Arial, sans-serif, 'Apple =
Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol'; font-size: 1.125em; font=
-weight: bold; line-height: 1.16em; margin: 1em 0 0.625em 0; position: rela=
tive;">Christie’s Celebrates 10 Years in Mainland China with Sales in=
Shanghai and Hong Kong</h4><div class=3D"captioned-image-container-static"=
style=3D"font-size: 16px; line-height: 26px; margin: 32px auto;"><figure s=
tyle=3D"margin: 0 auto; width: 100%;"><table class=3D"image-wrapper" width=
=3D"100%" border=3D"0" cellspacing=3D"0" cellpadding=3D"0" data-component-n=
ame=3D"Image2ToDOMStatic" style=3D"mso-padding-alt: 1em 0 1.6em;"><tbody><t=
r><td style=3D"text-align: center;"></td><td align=3D"left" class=3D"conten=
t" width=3D"1330" style=3D"text-align: center;"><a class=3D"image-link" tar=
get=3D"_blank" href=3D"https://substack.com/redirect/7e328d63-66f9-4d1d-afe=
4-90b08973dd0a?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6=
pp7gWdY" rel style=3D"align-items: center; border: none; display: block; fl=
ex-direction: column; height: auto; margin: 0; padding: 0; position: relati=
ve; text-decoration: none; width: auto;"><img data-attrs=3D"{"src"=
;:"https://substack-post-media.s3.amazonaws.com/public/images/ea819b63=
-9112-41e9-9c98-ad14bad3353f_1330x1104.png","srcNoWatermark"=
:null,"fullscreen":null,"imageSize":null,"height&q=
uot;:1104,"width":1330,"resizeWidth":null,"bytes&q=
uot;:3170447,"alt":null,"title":null,"type":&=
quot;image/png","href":null,"belowTheFold":true,&q=
uot;topImage":false,"internalRedirect":null}" alt width=3D"5=
50" height=3D"456.54135338345867" class=3D"wide-image" src=3D"https://subst=
ackcdn.com/image/fetch/w_2660,c_limit,f_auto,q_auto:good,fl_progressive:ste=
ep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe=
a819b63-9112-41e9-9c98-ad14bad3353f_1330x1104.png" style=3D"-ms-interpolati=
on-mode: bicubic; border: none !important; display: block; height: auto; ma=
rgin: 0 auto; margin-bottom: 0; max-width: 100% !important; vertical-align:=
middle; width: auto !important;"></a></td><td style=3D"text-align: center;=
"></td></tr></tbody></table><figcaption class=3D"image-caption" style=3D"bo=
x-sizing: content-box; color: #808080; font-size: 14px; font-weight: 400; l=
etter-spacing: -.15px; line-height: 20px; margin-top: 8px; padding-left: 15=
%; padding-right: 15%; text-align: center; width: 70%;">Yayoi Kusama, Summe=
r and Butterfly (1989) Estimated HKD 6 million</figcaption></figure></div><=
p style=3D"color: rgb(64, 64, 64); font-size: 16px; line-height: 26px; marg=
in: 0 0 20px 0;">The first auctions in the global market for Contemporary a=
rt will take place on September 23rd and 24th at Christie’s in Shangh=
ai and London. The sales are timed to mark Christie’s 10th anniversar=
y trading in Mainland China. But they also inaugurate the Autumn auction se=
ason with lots from Yayoi Kusama, Zao Wou-ki, Javier Calleja, Francis Picab=
ia, Eddie Martinez, Maria Bérrio, Liu Ye, Yoshitomo Nara and others. W=
e’ll try to have results next week before the New York mid-season sal=
es but even though these auctions are off-season they will be watched to ga=
uge estimates and demand. </p><div style=3D"font-size: 16px; line-height: 2=
6px;"><hr style=3D"background: #e0e0e0; border: none; height: 1px; margin: =
32px 0; padding: 0;"></div><h4 class=3D"header-with-anchor-widget" style=3D=
"-moz-appearance: optimizelegibility; -moz-osx-font-smoothing: antialiased;=
-webkit-appearance: optimizelegibility; -webkit-font-smoothing: antialiase=
d; appearance: optimizelegibility; color: rgb(64, 64, 64); font-family: 'SF=
Compact Display', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, H=
elvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe =
UI Symbol'; font-size: 1.125em; font-weight: bold; line-height: 1.16em; mar=
gin: 1em 0 0.625em 0; position: relative;">Wendi Norris Pops Up in Chelsea<=
/h4><div class=3D"captioned-image-container-static" style=3D"font-size: 16p=
x; line-height: 26px; margin: 32px auto;"><figure style=3D"margin: 0 auto; =
width: 100%;"><table class=3D"image-wrapper" width=3D"100%" border=3D"0" ce=
llspacing=3D"0" cellpadding=3D"0" data-component-name=3D"Image2ToDOMStatic"=
style=3D"mso-padding-alt: 1em 0 1.6em;"><tbody><tr><td style=3D"text-align=
: center;"></td><td align=3D"left" class=3D"content" width=3D"1456" style=
=3D"text-align: center;"><a class=3D"image-link" target=3D"_blank" href=3D"=
https://substack.com/redirect/82fe2fa1-e9cc-4454-8438-da4023affb7f?j=3DeyJ1=
IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY" rel style=3D"a=
lign-items: center; border: none; display: block; flex-direction: column; h=
eight: auto; margin: 0; padding: 0; position: relative; text-decoration: no=
ne; width: auto;"><img data-attrs=3D"{"src":"https://substac=
k-post-media.s3.amazonaws.com/public/images/89a3c0de-8694-4472-a317-f47265e=
93dad_2598x2126.jpeg","srcNoWatermark":null,"fullscreen=
":null,"imageSize":null,"height":1191,"width&=
quot;:1456,"resizeWidth":null,"bytes":2569875,"alt=
":null,"title":null,"type":"image/jpeg",=
"href":null,"belowTheFold":true,"topImage":fa=
lse,"internalRedirect":null}" alt width=3D"550" height=3D"449.896=
97802197804" class=3D"wide-image" src=3D"https://substackcdn.com/image/fetc=
h/w_2912,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubs=
tack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F89a3c0de-8694-4472-a31=
7-f47265e93dad_2598x2126.jpeg" style=3D"-ms-interpolation-mode: bicubic; bo=
rder: none !important; display: block; height: auto; margin: 0 auto; margin=
-bottom: 0; max-width: 100% !important; vertical-align: middle; width: auto=
!important;"></a></td><td style=3D"text-align: center;"></td></tr></tbody>=
</table><figcaption class=3D"image-caption" style=3D"box-sizing: content-bo=
x; color: #808080; font-size: 14px; font-weight: 400; letter-spacing: -.15p=
x; line-height: 20px; margin-top: 8px; padding-left: 15%; padding-right: 15=
%; text-align: center; width: 70%;"><span>Alice Raon, </span><em>La noche d=
e Tepoztlán</em><span>, 1964</span></figcaption></figure></div><p styl=
e=3D"color: rgb(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0 =
0 20px 0;"><span>Wendi Norris Gallery, the influential dealer in Surrealism=
, </span><a href=3D"https://substack.com/redirect/de41a4ba-57bf-4493-afd8-7=
bfa2430495e?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7=
gWdY" rel style=3D"color: rgb(64, 64, 64); text-decoration: underline;">has=
opened a pop-up location on 20th Street in New York until October 7th feat=
uring a dual show of Alice Rahon, the Surrealist painter, and Ranu Mukherje=
e titled Time Warriors</a><span>. Rahon, who was born in France at the turn=
of the 20th century and died in Mexico in 1987, was inspired by indigenous=
art and used natural materials in her compositions. Mukherjee, who was bor=
n in 1966, makes art concerned with climate change and environmental degrad=
ation. Both use dream-like compositions to engage with ideas of India, Indi=
an culture and concepts of being and time. </span></p><p style=3D"color: rg=
b(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0 0 20px 0;"><sp=
an>The show opens on the heels of a Summer show of the work of Remedios Var=
o timed to coincide with the Art Institute of Chicago’s current Varos=
exhibition., </span><em>Science Fictions. </em></p><div style=3D"font-size=
: 16px; line-height: 26px;"><hr style=3D"background: #e0e0e0; border: none;=
height: 1px; margin: 32px 0; padding: 0;"></div><h2 class=3D"header-with-a=
nchor-widget" style=3D"-moz-appearance: optimizelegibility; -moz-osx-font-s=
moothing: antialiased; -webkit-appearance: optimizelegibility; -webkit-font=
-smoothing: antialiased; appearance: optimizelegibility; color: rgb(64, 64,=
64); font-family: 'SF Compact Display', -apple-system, BlinkMacSystemFont,=
'Segoe UI', Roboto, Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Se=
goe UI Emoji', 'Segoe UI Symbol'; font-size: 1.625em; font-weight: bold; li=
ne-height: 1.16em; margin: 1em 0 0.625em 0; position: relative;">Results</h=
2><h4 class=3D"header-with-anchor-widget" style=3D"-moz-appearance: optimiz=
elegibility; -moz-osx-font-smoothing: antialiased; -webkit-appearance: opti=
mizelegibility; -webkit-font-smoothing: antialiased; appearance: optimizele=
gibility; color: rgb(64, 64, 64); font-family: 'SF Compact Display', -apple=
-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Helvetica, Arial, sans-ser=
if, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol'; font-size: 1.=
125em; font-weight: bold; line-height: 1.16em; margin: 1em 0 0.625em 0; pos=
ition: relative;">Christie’s South Asian Modern & Contemporary =
=3D $11m</h4><div class=3D"captioned-image-container-static" style=3D"font-=
size: 16px; line-height: 26px; margin: 32px auto;"><figure style=3D"margin:=
0 auto; width: 100%;"><table class=3D"image-wrapper" width=3D"100%" border=
=3D"0" cellspacing=3D"0" cellpadding=3D"0" data-component-name=3D"Image2ToD=
OMStatic" style=3D"mso-padding-alt: 1em 0 1.6em;"><tbody><tr><td style=3D"t=
ext-align: center;"></td><td align=3D"left" class=3D"content" width=3D"1456=
" style=3D"text-align: center;"><a class=3D"image-link" target=3D"_blank" h=
ref=3D"https://substack.com/redirect/4342fc8c-12c9-40e5-aed3-ce5b1b061df3?j=
=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY" rel sty=
le=3D"align-items: center; border: none; display: block; flex-direction: co=
lumn; height: auto; margin: 0; padding: 0; position: relative; text-decorat=
ion: none; width: auto;"><img data-attrs=3D"{"src":"https://=
substack-post-media.s3.amazonaws.com/public/images/e0e29483-8a94-4c17-b277-=
3ea58b0c2317_1954x1024.jpeg","srcNoWatermark":null,"ful=
lscreen":null,"imageSize":null,"height":763,"=
width":1456,"resizeWidth":null,"bytes":638013,&quo=
t;alt":null,"title":null,"type":"image/jpeg&q=
uot;,"href":null,"belowTheFold":true,"topImage&quo=
t;:false,"internalRedirect":null}" alt width=3D"550" height=3D"28=
8.22115384615387" class=3D"wide-image" src=3D"https://substackcdn.com/image=
/fetch/w_2912,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2=
Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fe0e29483-8a94-4c1=
7-b277-3ea58b0c2317_1954x1024.jpeg" style=3D"-ms-interpolation-mode: bicubi=
c; border: none !important; display: block; height: auto; margin: 0 auto; m=
argin-bottom: 0; max-width: 100% !important; vertical-align: middle; width:=
auto !important;"></a></td><td style=3D"text-align: center;"></td></tr></t=
body></table></figure></div><p style=3D"color: rgb(64, 64, 64); font-size: =
16px; line-height: 26px; margin: 0 0 20px 0;">Christie’s South Asian =
Modern & Contemporary art sale held within New York’s Asia Week w=
as unexpectedly strong. More than two thirds of the lots were bid over the =
estimate range. The sale total was only $11 million. But it was dominated b=
y works by M.F. Husain, Sayed Haider Raza and Francis Newton Souza. </p><di=
v class=3D"captioned-image-container-static" style=3D"font-size: 16px; line=
-height: 26px; margin: 32px auto;"><figure style=3D"margin: 0 auto; width: =
100%;"><table class=3D"image-wrapper" width=3D"100%" border=3D"0" cellspaci=
ng=3D"0" cellpadding=3D"0" data-component-name=3D"Image2ToDOMStatic" style=
=3D"mso-padding-alt: 1em 0 1.6em;"><tbody><tr><td style=3D"text-align: cent=
er;"></td><td align=3D"left" class=3D"content" width=3D"1456" style=3D"text=
-align: center;"><a class=3D"image-link" target=3D"_blank" href=3D"https://=
substack.com/redirect/3a1bbe00-4ee1-4aee-90d0-f532d98b96b1?j=3DeyJ1IjoiMjdj=
ZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY" rel style=3D"align-ite=
ms: center; border: none; display: block; flex-direction: column; height: a=
uto; margin: 0; padding: 0; position: relative; text-decoration: none; widt=
h: auto;"><img data-attrs=3D"{"src":"https://substack-post-m=
edia.s3.amazonaws.com/public/images/dc60bb22-b2a5-4b79-a9f3-2688f4ba25dc_19=
54x1024.jpeg","srcNoWatermark":null,"fullscreen":n=
ull,"imageSize":null,"height":763,"width":145=
6,"resizeWidth":null,"bytes":735307,"alt":nul=
l,"title":null,"type":"image/jpeg","href=
":null,"belowTheFold":true,"topImage":false,"=
internalRedirect":null}" alt width=3D"550" height=3D"288.2211538461538=
7" class=3D"wide-image" src=3D"https://substackcdn.com/image/fetch/w_2912,c=
_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-=
media.s3.amazonaws.com%2Fpublic%2Fimages%2Fdc60bb22-b2a5-4b79-a9f3-2688f4ba=
25dc_1954x1024.jpeg" style=3D"-ms-interpolation-mode: bicubic; border: none=
!important; display: block; height: auto; margin: 0 auto; margin-bottom: 0=
; max-width: 100% !important; vertical-align: middle; width: auto !importan=
t;"></a></td><td style=3D"text-align: center;"></td></tr></tbody></table></=
figure></div><p style=3D"color: rgb(64, 64, 64); font-size: 16px; line-heig=
ht: 26px; margin: 0 0 20px 0;">All but one of the 12 Souza’s were sol=
d for prices well above the estimate range. Taken together, the Newton̵=
7;s achieved prices three times the estimates. Seven Razas were sold with a=
n average hammer ratio of nearly three times the estimates. The eleven Husa=
in works offered had slightly more muted bidding only making twice the esti=
mates. </p><div class=3D"captioned-image-container-static" style=3D"font-si=
ze: 16px; line-height: 26px; margin: 32px auto;"><figure style=3D"margin: 0=
auto; width: 100%;"><table class=3D"image-wrapper" width=3D"100%" border=
=3D"0" cellspacing=3D"0" cellpadding=3D"0" data-component-name=3D"Image2ToD=
OMStatic" style=3D"mso-padding-alt: 1em 0 1.6em;"><tbody><tr><td style=3D"t=
ext-align: center;"></td><td align=3D"left" class=3D"content" width=3D"1456=
" style=3D"text-align: center;"><a class=3D"image-link" target=3D"_blank" h=
ref=3D"https://substack.com/redirect/530c49c2-2f25-4b03-8503-5f0b19e068f8?j=
=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7gWdY" rel sty=
le=3D"align-items: center; border: none; display: block; flex-direction: co=
lumn; height: auto; margin: 0; padding: 0; position: relative; text-decorat=
ion: none; width: auto;"><img data-attrs=3D"{"src":"https://=
substack-post-media.s3.amazonaws.com/public/images/540a41c7-affc-4dfb-9194-=
f0076eb30711_1954x1024.jpeg","srcNoWatermark":null,"ful=
lscreen":null,"imageSize":null,"height":763,"=
width":1456,"resizeWidth":null,"bytes":686606,&quo=
t;alt":null,"title":null,"type":"image/jpeg&q=
uot;,"href":null,"belowTheFold":true,"topImage&quo=
t;:false,"internalRedirect":null}" alt width=3D"550" height=3D"28=
8.22115384615387" class=3D"wide-image" src=3D"https://substackcdn.com/image=
/fetch/w_2912,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2=
Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F540a41c7-affc-4df=
b-9194-f0076eb30711_1954x1024.jpeg" style=3D"-ms-interpolation-mode: bicubi=
c; border: none !important; display: block; height: auto; margin: 0 auto; m=
argin-bottom: 0; max-width: 100% !important; vertical-align: middle; width:=
auto !important;"></a></td><td style=3D"text-align: center;"></td></tr></t=
body></table></figure></div><p style=3D"color: rgb(64, 64, 64); font-size: =
16px; line-height: 26px; margin: 0 0 20px 0;">The top ten lots with the mos=
t intense bidding only have a single work by Raza, Husain and Souza. Remark=
ably, all of the lots with the most aggressive bidding had estimates below =
$50,000 suggesting the market for South Asian Modern Artists is only beginn=
ing to build momentum. </p><div style=3D"font-size: 16px; line-height: 26px=
;"><hr style=3D"background: #e0e0e0; border: none; height: 1px; margin: 32p=
x 0; padding: 0;"></div><h4 class=3D"header-with-anchor-widget" style=3D"-m=
oz-appearance: optimizelegibility; -moz-osx-font-smoothing: antialiased; -w=
ebkit-appearance: optimizelegibility; -webkit-font-smoothing: antialiased; =
appearance: optimizelegibility; color: rgb(64, 64, 64); font-family: 'SF Co=
mpact Display', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Helv=
etica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI =
Symbol'; font-size: 1.125em; font-weight: bold; line-height: 1.16em; margin=
: 1em 0 0.625em 0; position: relative;">The Spirit of Barkley Hendricks Inh=
abits The Frick</h4><div class=3D"captioned-image-container-static" style=
=3D"font-size: 16px; line-height: 26px; margin: 32px auto;"><figure style=
=3D"margin: 0 auto; width: 100%;"><table class=3D"image-wrapper" width=3D"1=
00%" border=3D"0" cellspacing=3D"0" cellpadding=3D"0" data-component-name=
=3D"Image2ToDOMStatic" style=3D"mso-padding-alt: 1em 0 1.6em;"><tbody><tr><=
td style=3D"text-align: center;"></td><td align=3D"left" class=3D"content" =
width=3D"1456" style=3D"text-align: center;"><a class=3D"image-link" target=
=3D"_blank" href=3D"https://substack.com/redirect/eeee698f-fad1-4381-bb25-6=
87ba135bda0?j=3DeyJ1IjoiMjdjZXI5In0.nCNhOM3c1d0jQmMpisrMe5iRnigHXx6Fx_g6pp7=
gWdY" rel style=3D"align-items: center; border: none; display: block; flex-=
direction: column; height: auto; margin: 0; padding: 0; position: relative;=
text-decoration: none; width: auto;"><img data-attrs=3D"{"src":&=
quot;https://substack-post-media.s3.amazonaws.com/public/images/d6df3de0-8e=
da-46ec-9089-f159e16ed8fb_2500x1667.jpeg","srcNoWatermark":n=
ull,"fullscreen":null,"imageSize":null,"height&quo=
t;:971,"width":1456,"resizeWidth":null,"bytes"=
;:993076,"alt":null,"title":null,"type":"=
;image/jpeg","href":null,"belowTheFold":true,"=
;topImage":false,"internalRedirect":null}" alt width=3D"550"=
height=3D"366.7925824175824" class=3D"wide-image" src=3D"https://substackc=
dn.com/image/fetch/w_2912,c_limit,f_auto,q_auto:good,fl_progressive:steep/h=
ttps%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fd6df3=
de0-8eda-46ec-9089-f159e16ed8fb_2500x1667.jpeg" style=3D"-ms-interpolation-=
mode: bicubic; border: none !important; display: block; height: auto; margi=
n: 0 auto; margin-bottom: 0; max-width: 100% !important; vertical-align: mi=
ddle; width: auto !important;"></a></td><td style=3D"text-align: center;"><=
/td></tr></tbody></table></figure></div><p style=3D"color: rgb(64, 64, 64);=
font-size: 16px; line-height: 26px; margin: 0 0 20px 0;">Not long after th=
e Summer of rage and dismay surrounding the death of George Floyd, Aimee Ng=
, a curator at The Frick, and Antwaun Sargent, a freelance writer, curator =
and influential voice on Twitter, who had recently become a director at Gag=
osian, got together to talk about ideas. </p><p style=3D"color: rgb(64=
, 64, 64); font-size: 16px; line-height: 26px; margin: 0 0 20px 0;">The bur=
ning question then for museums in general—and the culture industry mo=
re broadly—was one of representation. At the meeting, Sargent suggest=
ed The Frick think about doing a show of portraits by Barkley Hendricks. Tw=
o years later that show has opened and the result is far more than Ng, The =
Frick or any of us might have imagined. </p><p style=3D"color: rgb(64,=
64, 64); font-size: 16px; line-height: 26px; margin: 0 0 20px 0;">The idea=
for the show itself is one of those revelations that seems obvious in retr=
ospect even though it was audacious to imagine. Hendricks was actively enga=
ged with European art as he learned his craft. The Frick was a museum he tr=
easured and plundered for ideas. Hendricks wasn’t a familiar name to =
Ng but that’s more because of her background in Italian Renaissance a=
rt. </p><p style=3D"color: rgb(64, 64, 64); font-size: 16px; line-heig=
ht: 26px; margin: 0 0 20px 0;">Ng was hardly alone. For nearly a decade lea=
ding up to his death in 2017, Hendricks’s work had been climbing the =
auction market. A graduate of Yale’s MFA program who taught at Connec=
ticut College, Hendricks had stopped making portraits 40 years ago. He had =
other ideas to pursue. some of which have been shown to great effect at Jac=
k Shainman in recent years. </p><p style=3D"color: rgb(64, 64, 64); fo=
nt-size: 16px; line-height: 26px; margin: 0 0 20px 0;"><span>In 2008, Trevo=
r Schoonmaker organized</span><em> Barkley L. Hendricks: Birth of the Cool<=
/em><span> at the Nasher, the first retrospective of Hendricks work. In 201=
7, the year Hendricks died, the portraits again played a pivotal role in </=
span><em>Soul of a Nation: Art in the Age of Black Power</em><span>. During=
the same period, the portraits began trading on the auction market. First =
they made prices in the six figures at Swann Galleries, including the $365,=
000 paid for </span><em>Stevie</em><span> from 1976 featured in The Frick s=
how. Then they made million-dollar prices at Phillips, Sotheby’s and =
Christie’s. In 2020, one work was said to have been sold privately fo=
r $14 million. Whether that’s true, prices for the portraits topped o=
ut earlier this year when </span><em>Stanley</em><span> from 1971 made $6.1=
million.  </span></p><p style=3D"color: rgb(64, 64, 64); font-si=
ze: 16px; line-height: 26px; margin: 0 0 20px 0;">Success at auction isn=
217;t a substitute for recognition beyond the market. But Hendricks had bee=
n found by museums long before. Almost immediately after framing his Yale M=
FA, the National Gallery acquired two of his portraits in 1973. The Frick s=
how further demonstrates that Hendricks has long had institutional support =
with works borrowed from the Studio Museum in Harlem, Virginia Museum of Fi=
ne Art, The Philadelphia Museum of Art, Harvard Art Museums, Nasher Museum =
of Art, Whitney Museum, Chrysler Museum and Yale University Art Gallery.</p=
><p style=3D"color: rgb(64, 64, 64); font-size: 16px; line-height: 26px; ma=
rgin: 0 0 20px 0;">Hendricks' portraits are also owned by influential colle=
ctors like George Economou and important figures in the entertainment indus=
try like Jimmy Iovine, Ben Silverman and Shawn Carter.   =
60;</p><p style=3D"color: rgb(64, 64, 64); font-size: 16px; line-height: 26=
px; margin: 0 0 20px 0;">In her essay for the show’s catalog, Aimee N=
g emphasizes the importance of Hendricks’s work in bridging the struc=
tured societies of the Old Masters and our emphasis on individuals and thei=
r individuality. Having his work hang at The Frick is a tribute to Hendrick=
s’s interest in European art and his aspiration to take the lessons o=
f European artists and apply them to ordinary folks who caught his eye. At =
the Frick, the Hendricks portraits hang adjacent to an alcove of Whistler s=
ociety portraits emphasizing the fact that Hendricks’s community is n=
o less concerned with public persona than Whister’s society.</p><p st=
yle=3D"color: rgb(64, 64, 64); font-size: 16px; line-height: 26px; margin: =
0 0 20px 0;">Within the exhibition, the curators created a chapel-like room=
of five works each depicting figures dressed in white against a white grou=
nd. These “limited palette” paintings contain worlds but also t=
he curators have succeeded in creating a temporary world within the world o=
f Hendricks that is both contemplative and devotional. </p><p style=3D=
"color: rgb(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0 0 20=
px 0;">Going beyond the idea of unity in opposition, Ng and Sargent have st=
aged a show that is far greater than its elegant premise. </p><p style=
=3D"color: rgb(64, 64, 64); font-size: 16px; line-height: 26px; margin: 0 0=
20px 0;">Concluding their talk at the press preview—judging from Ins=
tagram the need for formal press was superfluous as the social media platfo=
rm quickly filled with stills from the exhibition on opening day—Ng p=
ointed out that although The Frick was proud to be presenting a Black artis=
t, seeing Hendricks’s work in the context of portraitists like Whistl=
er, Velazquez and van Dyck showed him to be an artist first and foremost.&#=
160;</p><p style=3D"color: rgb(64, 64, 64); font-size: 16px; line-height: 2=
6px; margin: 0 0 20px 0; margin-bottom: 0;">His widow, standing in the midd=
le of the room unnoticed though also present in a life-sized portrait too, =
was visibly moved. . </p></div></div><div class=3D"container-border" s=
tyle=3D"border-top: 1px solid #e0e0e0; box-sizing: border-box; font-size: 1=
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margin-top: 0; text-align: center; width: 90%;"><span translated class=3D"=
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